Reading Journal
Assignments for English 218 Spring 2006
Journal
# 5: Family Tree
Due: Mon Mar 6
Choose Either Prompt here
- Throughout the novel in
various footnotes, Cadwalladr annotates various TV shows and films that
had a profound effect on popular culture in her childhood. On
page 13 she analyzes Love
Story; on page 20 she examines Man About the House; on
page 27 she examines a British Soap called Coronation Street; on page
86 she analyzes Dallas, on
119 she analyzes Charlie's
Angels and on 180 The Good Life. Read
through these examples and then in your journal write an annotation for
a TV show that had significant impact on popular culture as you were
growing up. Describe the show and explain its affects on popular
culture. Then explain how this TV show affected your personal
life in some way.
- Or, read through the columns
Tiffany writes: page79 and page 144. What do these columns tell
us about Tiffany and how does she differ from her sister Rebecca and
cousin Lucy. How do you react to these columns?
- Or, be creative and read
through the account of the disastrous caravan holiday. Describe
one of your own less than successful family holidays. Why are
these holidays often doomed to failure?
Journal # 4: The Ninth Life of Louis Drax
Due: Mon 27th Feb
Respond to one of these prompts:
1) In both Mark Haddon’s novel and Liz Jensen’s novel, we see the
world through the eyes of a child who each narrate the story. Louis
Drax is a disturbed and odd child. When combined with Louis’s favorite
subjects, like “vampire bats and death stuff and the swastika” (9), and
his rule about pet keeping (Right of Disposal p. 5), what is the
overall impression of Louis’s character? Is this an authentic nine-
year-old voice, and if so, why? What things that he discusses make this
seem authentic? Consider how he views the world, how he captures adult
conversations he only superficially understands and so on. What does
Jensen seem to be saying about childhood and parenting so far?
Or
2) Write about any aspect of the novel that intrigues you at this
point. Explain what you find intriguing and why and consider how this
relates to your own life, experiences, or what you have studied.
Journal # 3 on The Curious Incident of the Dog in the
Night Time: Due Wed Feb 8th
Read the two articles under
course documents on Blackboard about Asperger's Syndrome. Then
summarize one of the article. You may choose which article you
want to summarize. Remember to begin your summary by identifying
the title of the article and the author and main idea in your
first sentence. Since there is no named author in the first
article, you will say this: In "Asperger's Syndrome" published in
the Harvard Mental Health
Letter, the writer ......Use present tense in your
summary. Focus on the main ideas and use your own words.
Label this paragraph "summary." Then apply the article to the
novel to show whether the novel illustrates or proves or disproves what
the article says. Label this paragraph "application. " You
can quote from the novel where appropriate or necessary.
Journal # 2 on About
a Boy: Due Mon Jan 30th
Read the following article on
Reader Response Criticism by Professor Pete Ellertsen and then use
these ideas to write a journal on About a Boy. You might want to focus
on Marcus’s experiences at school and bullying or your own experiences
with how important it is to at least look like a sheep (not stand
out). You might want to explore Will’s immersion in popular
culture or his relationship with women. You might want to look at
the characters or just one of them.
Reader Response
Criticism
“An important tool for analyzing
literature is known as reader response theory, and from time to time
you will be called upon to write reader-response journals in this
class. I also encourage students to use reader response as a technique
for analyzing literature, because it helps you keep your focus on what
the work means to you instead of regurgitating the standard
Hamlet-is-a-play-of-revenge type of drivel that all too often passes
for literary analysis. Reader response originates with an educator
named Louise Rosenblatt, who defines it like this:
‘The special meaning, and more
particularly, the submerged associations that these words and images
[in a literary work] have for the individual reader will largely
determine what the work communicates to him. The reader brings to the
work personality traits, memories of past events, present needs and
preoccupations, a particular mood of the moment, and a particular
physical condition. These and many other elements in a
never-to-be-duplicated combination determine his response to the
peculiar contribution of the text. ‘
Among other things, reader response
theory frees you up from having to guess at the "hidden meaning" an
author may or may not have been thinking about when he or she wrote a
story, poem or play. In fact, many writers refuse to say what their
works “mean.” As novelist Bobbie Ann Mason told students: "I don’t
think I should decide what a story means and then tell you what to
think. Instead, I think you should reach your own conclusions. A story
should stand on its own; besides, the author can’t always be around to
explain it. (KET) Instead, you create your own meaning. That doesn't
mean you don't have to read the work carefully, and it doesn't mean you
can plug just any old meaning, or message, into a work. (Hamlet isn't
about stock car racing, no matter what personality traits, memories,
needs and preoccupations we may bring to our viewing of the play!) But
it does mean you are free to find a meaning in the work that makes
sense to you instead of parroting somebody else's interpretation. The
best way to do reader response is to ask yourself three questions:
1. What about this
story, poem or play stands out in my mind?
2. What in my
background, values, needs and interests makes me react that way?
3. What specific
passages in the work trigger that reaction?
http://www.sci.edu/classes/ellertsen/rosenblatt.html
Reading
Journal #1: Due Mon 23rd
1-2 typed pages
Fever Pitch traces the
story of the author Nick Hornby from
his first introduction to Arsenal Football Club through the trials and
tribulations of over two decades as a devoted fan. Some read the book
as a book
about football. Some would say that the book is not about football at
all, but
about obsession, and about growing up, and about relationships. This
extract
focuses on his early exposure to football and his relationship with his
father
and reveals much about the culture of England in the late 60s. Hornby
is often
praised for insight into childhood, adolescence, and suburban life. In
your
reading response consider the following:
Based
on your experiences and knowledge of the world, how persuasive is this
portrayal of a young boy and his Saturday afternoon outings with his
father?
What makes this persuasive? What makes
Hornby’s portrayal of his younger self realistic or not?
What arguments does Hornby seem to make
about parent child relationships?