
Date of birth: 1914
Education: 1937 - BS in Instrumental Music, University of Illinois
1939 - M.A. in English
and Education, University of Illinois
1949 - Ph.D. in
Musicology, University of Michigan,
Thesis:
Theoretical
Introductions in American Tune-Books to 1800
Work: Britton
was band director in the public schools of Griffith, Indiana, and at Eastern Illinois
University before WWII. In 1949 he joined the faculty of the University of
Michigan where he was dean, head of the music education department, and
director of the University of Michigan Division of the National Music Camp at
Interlochen.
Specialty areas: Band,
music education, musicology.
Britton, Allen Perdue, Irving
Lowens, and Richard Crawford, American Sacred Music
Imprints,
1698-1810: A Bibliography. Worcester:
American Antiquarian Society, 1990.
-----. “A Course of Study for Band
and Orchestra.” Etude 65 (May 1947): 259-60.
Reprinted
in Michigan School Band and Orchestra Association Journal 20
(February
1960): 8-13.
-----. “The Development of
Courses, Resources, and Activities for Performing
Students.” Music Educators Journal (February-March
1964): 42-44.
-----. “The General Theoretical
Foundations of Music Education.” Music
Educators
Journal (April-May 1964): 44-45.
-----. “Keokuk to San Antonio…75
Years of Change.” Music Educators
Journal
(February 1982): 42-44.
-----. “Music Education: An
American Specialty.” Music Educators
Journal
(June-July
1962): 27-29, 55-56, 58, 60, and 63.
-----. “Music Education in the
Nineteen-Sixties.” Music Educators
Journal (June-July
1961):
23-26.
-----. “The Motivation of Music
Activities.” Educational Music Magazine 26 (September-
October
1946): 47, 51, 53, 55.
-----. “The Original Shape-Note
Tune Books.” In Studies in the History of American
Education,
ed. Claude A. Eggertsen, 117-23, Ann
Arbor, MI: University of Michigan School of Education, 1947.
-----. “Thank You, Mr.
President.” Music Educators Journal (November-December
1961):
33-36.
*NOTE – For a complete listing of Britton’s publications, see:
Heller,
George N., compiler. “Publications by Allen P. Britton,” from “Special Issue:
Papers from the Allen P. Britton Symposium University of
Maryland, College
Park, March 6, 2000.” Journal of Historical Research in
Music Education (April 2001) Volume XXII.2: pp. 223-230.
Allen Perdue Britton, Irving Lowens, and Richard Crawford, American
Sacred
Music Imprints, 1698-1810: A Bibliography. Worcester: American Antiquarian
Society, 1990.
University
of Michigan Citation of Merit
President
of MENC, 1960-62
Founding
editor of Journal of Research in Music Education, 1953
Founding
editor of American Music
MENC Hall
of Fame, 1986
Biography:
Allen
Perdue Britton (b. 1914) is a prominent figure in both American music education
and in musicology. He served as president of the Music Educators National
Conference (1960-62). He also served as
president of the Sonneck Society for American Music, was heavily involved in
the Julliard Repertory Project, and worked on countless other boards and
committees. Britton was band director in the
public schools of Griffith, Indiana, and at Eastern Illinois University before
WWII. Between 1943-1946 he served a two-and-a-half year stint in the Army,
mostly playing in dance bands at service clubs, and serving as with the
military police in the Camp Custer German prisoner of war camp. He is now dean and professor
emeritus in music education at the University of Michigan School of Music.
While at Michigan he was also director of the University Division of the
national Music Camp at Interlochen. Britton holds a B.S. in Instrumental Music
and M.A. in Education from the University of Illinois, and a Ph.D. in
Musicology from the University of Michigan.
He was the founding editor of the Journal of Research in Music
Education and American Music. Now retired, he has recently moved to
Indiana.
Quotes:
From Mark and Gary’s 1996 Contemporary Music Education:
Music, as one of the seven liberal arts, has formed an
integral part of the educational systems of Western civilization from Hellenic
times to the present. Thus, the position of music in education historically
speaking, is one of great strength. Unfortunately, this fact seems to be one of
which most educators, including music educators, remain unaware. As a result,
the defense of music in the curriculum is often approached as if something new
were being dealt with. Lacking the assurance which a knowledge of history could
provide, many who seek to justify the present place of music in American
schools tend to place too heavy a reliance upon ancillary values which music
may certainly serve but which cannot, in the end, constitute its justification.
Plato, of course, is the original offender in this regard, his general view
that the essential value of music lies in its social usefulness seems to be as
alive today as ever.[1]
Many American music educators have demonstrated what may be
considered an easy readiness to climb aboard any intellectual bandwagon which
happens to be near by, and to trust it to arrive at destinations appropriate
for music educators, or worse, to adopt its destinations as their own without
careful enough scrutiny of the intellectual properties involved.[2]
From “Thank You, Mr. President,” Music Educators Journal, 1961:
While this account of the Kennedy concern for the arts is
by no means exhaustive, perhaps it will serve as sufficient indication of the
high patronage and support now emanating from the most powerful position in
this country. Undoubtedly the arts have always sprung from the people.
According to some sources, however, the arts have reached their highest peaks
only when liberally supported by highly placed personages. Another historical
contention is that the arts flourish in times of crisis. Both of these
conditions seem fully met today.[3]
Sources
Used:
Arneson,
Arne Jon. The Music Educators Journal Cumulative Index 1914-1987. Stevens
Point, Wisconsin: Index House, 1987.
Mark,
Michael L., Charles L. Gary. A History of Music Education. Reston, VA:
The
National Association for Music Education, 1999.
McCarthy,
Marie, and Bruce D. Wilson, editors. “Special Issue: Papers from the Allen P.
Britton Symposium University of Maryland, College Park,
March 6, 2000.”
Journal of Historical Research in Music Education (April 2001) Volume XXII.2.
University
of Maryland Libraries. Allen Perdue Britton Papers.
www.lib.umd.edu/PAL/SCPA/britton.html.
-----. “Thank You, Mr. President.”
Music Educators Journal (November-
December
1961): 33-36.
For more information,
consult the following sources:
Mark,
Michael L., Charles L. Gary. A History of Music Education. Reston, VA:
The
National Association for Music Education, 1999.
McCarthy,
Marie, and Bruce D. Wilson, editors. “Special Issue: Papers from the Allen P.
Britton Symposium University of Maryland, College Park,
March 6, 2000.”
Journal of Historical Research in Music Education (April 2001) Volume XXII.2.
University
of Maryland Libraries. Allen Perdue Britton Papers.
www.lib.umd.edu/PAL/SCPA/britton.html.
--Submitted by Diana Hollinger,
December 2002