ARIZONA STATE UNIVERSITY
ADVANCED READINGS
IN MODERN JAPANESE LITERATURE
SPRING 2003
JPN 435, Line number 59303
JPN 535, Line number 79151
daily schedule
course description//required
materials//Reserve library//basic
reference books//course requirements//contacting
me//e-mail//attendance,
etc.//academic dishonesty//etiquette//evaluation
concerning your papers
internet resources
Instructor: Anthony H. Chambers,
Professor of Japanese
e-mail: anthony.chambers@asu.edu
office telephone: 480-965-0517
Office Hours: Tuesdays and Thursdays 9:30-11:30
AM. If these hours are inconvenient, I'm happy to make arrangements
to meet with you at other times. Please contact me.
Days and Times: Wednesdays 4:40 -
7:30 PM
Room: Languages and Literatures Building,
room 265
Prerequisites:
for JPN 435: JPN 314 (second semester of third-year
Japanese), or the equivalent
for JPN 535: JPN 314 (or the equivalent) and graduate
standing or permission of the department
Course Description
We will read, discuss, and write about two representative
20th-century Japanese novels: Chijin no ai, by Tanizaki
Jun'ichirô, and Senbazuru, by Kawabata Yasunari.
Before each class meeting, each student will send an email
message to the rest of the class and to the instructor. These messages
will include: (1) language questions (vocabulary, comprehension,
etc.); (2) commentary on developments in plot, imagery, themes, characterization,
etc.; (3) topics for discussion in class.
These email messages must reach the class members by NOON
ON THE DAY OF CLASS. Each student should check his or her mail after
noon on Wednesdays, PRINT OUT each message, and bring the printouts to
class.
For other requirements, see "Course
requirements," below.
Required materials
Books (available at the
ASU Bookstore):
-
TANIZAKI Jun'ichirô, Chijin no ai (Shinchô
bunko edition)
-
KAWABATA Yasunari, Senbazuru (Shinchô bunko
edition)
You will also want to have the
English translations of these novels. They are readily available
from Amazon.com and other dealers, often at discount prices.
-
Tanizaki Jun'ichirô, Naomi, translated by Anthony
Chambers
-
Kawabata Yasunari, Thousand Cranes, translated by
Edward Seidensticker
On Reserve at Hayden Library
Donald Keene, Dawn to the West: Japanese Literature
in the Modern Era (on reserve under FLA421)
Ken K. Ito, Visions of Desire: Tanizaki's Fictional
Worlds
Van C. Gessel, Three Modern Novelists: Sôseki,
Tanizaki, Kawabata
Roy Starr,
Basic Reference Books
Kodansha Encyclopedia of Japan DS805 .K633
1983 (Hayden Library Reference Collection)
Course requirements
-
regular attendance
-
careful preparation for each class meeting
-
regular email correspondence, as described above
-
participation in class discussions and activities
-
2 papers for JPN 435 students, 3 papers for 535 students:
See "Concerning Your Papers," below, for details
-
Additional secondary reading will be required of 535 students.
-
final exam: Wednesday, May 14, 4:40-6:30.
Contacting
me: Meeting with me and contacting me outside
of class are important parts of this course. Please don’t hesitate
to visit or call me, even at home, when you have problems or questions.
If my office hours are inconvenient for you, contact me by telephone or
e-mail or ask about other times when we might meet.
E-mail:
See above, at "Course Description." Each of you should have an e-mail
address and check for messages regularly. I’ll respond to questions,
convey changes in assignments and schedules, send announcements, and provide
other information important to the class by e-mail.
Every student is eligible for a free
ASU e-mail account. To establish an e-mail account at ASU, go to the Computer
Commons Building on the main campus and use a self-subscription computer
to sign up. You can also acquire software at the Computer Commons
to gain access to ASU e-mail from your home computer.
You can send e-mail messages
in Japanese (and do word-processing in Japanese) at the Language Lab (in
the basement of the Languages and Literatures building).
I normally check my e-mail at
least once a day, Monday through Friday.
Attendance, make-ups,
withdrawals, incompletes:
"> <br><b><font size=+1><u>Prerequis#*es‰lÄ
If you must miss class in order to participate in University-sanctioned
activities (such as band, debate, or athletics), you may be excused and
allowed to make up examinations and other graded in-class work if:
1. you identify yourself to me before the day you
expect to miss class and make advance arrangements to make up missed work
(missed work must be made up as soon as possible, and in any case within
one week); and
2. you provide me with a copy of your travel schedules
and a note from your coach, band leader, or whatever; and
3. such activities don’t become so frequent that they
interfere with your progress in Japanese.
More on attendance:
1. Participation in a University-sanctioned activity
does not entitle a student to receive an extension on the deadline for
submitting a written assignment.
2. Each unexcused absence may result in the deduction
of 5% from the student's final grade in the course.
3. Three late arrivals at, or early departures from,
class will count as one absence.
4. If you miss class because of an illness, you must
present a medical excuse from a physician.
5. Please call in advance to let me know when you will
miss class.
6. If you do miss class, it is your responsibility to
get copies of anything that was handed out in class and to complete required
work by the deadline.
7. There will be no make-up work, no late work, no extensions,
and no supplemental work to raise your grade, except as described above.
For withdrawals, I adhere to university policies
and deadlines. There will be no incompletes unless you’re
doing well in the course otherwise, have nearly completed it, have some
colossal, unforeseeable, and documented event that prevents you from finishing,
and see me before the final exam if at all possible.
Academic dishonesty:lt;hr
WIDTH="100%"> <br><a NAME="description"></a><b><u><font
size=+2>Course Descripti#*&l
Etiquette
1. Turn off all telephones and pagers before class begins.
2. Food and drink are not allowed in ASU classrooms.
Evaluation
-
Preparation and participation: 1/4
-
email correspondence: 1/4
-
Papers: 1/4
-
Final examination: 1/4 You must take the final
examination in order to pass this course. Wednesday, May 14, 4:40-6:30.
Concerning Your
Papers
JPN435 students will write two papers,
one about each novel we read. JPN535 students will write one paper
on each novel and a third paper comparing the two novels.
Written assignments may be in either
Japanese or English. All papers must be free of errors in grammar
and orthography.
Please photocopy anything that you
quote in your paper, hilite the words or sentences you quote, and turn
in with your final draft.
Internet Resources
If you know other good sites, please tell me about
them!
Map
of Japan
Chronology
of Japanese History
Schauwecker's
Guide to Japanese History
Japanese
Literature Homepage
History
of Japanese Literature
SCHEDULE (watch for
changes and updates)
Wednesday, January 22: Introduction:
Read this entire web page carefully.
Wednesday, January 29: Prepare Tanizaki,
Chijin
no ai, pp. 5-52
While we're reading Chijin no ai, also read Van
Gessel, Three Modern Novelists, the chapter on Tanizaki; and Ken
Ito, Visions of Desire: Tanizaki's Fictional Worlds, Chapter
3, "The West Remade" (on reserve)
February 4: Unrestricted Withdrawal
Deadline
Wednesday, February 5: Prepare Tanizaki,
Chijin
no ai, pp. 52-88
Wednesday, February 12: Prepare Tanizaki,
Chijin
no ai, pp. 89-140
Wednesday, February 19: Prepare Tanizaki, Chijin
no ai, pp. 141-178
Wednesday, February 26: Prepare Tanizaki,
Chijin
no ai, pp. 179-225
Wednesday, March 5: Prepare Tanizaki,
Chijin
no ai, pp. 225-277
Wednesday, March 12: Prepare Tanizaki,
Chijin
no ai, pp. 277-317
By now you should also have read Van Gessel, Three
Modern Novelists, the chapter on Tanizaki; and Ken Ito, Visions
of Desire: Tanizaki's Fictional Worlds, Chapter 3, "The West
Remade"
There will be a QUIZ, in which you'll be asked to apply
your understanding of Van Gessel, Three Modern Novelists, the chapter
on Tanizaki; and Ken Ito, Visions of Desire: Tanizaki's Fictional
Worlds, Chapter 3, "The West Remade" (on reserve), as they apply
to Chijin no ai.
Midterm Grades Due
March 16-23: No classes (spring break)
Wednesday, March 26: Prepare Kawabata
Yasunari, Senbazuru, pp. 9-47
While we're reading Senbazuru, also read Van Gessel,
Three
Modern Novelists, the chapter on Kawabata, and Roy Starrs,
Soundings
in Time: The Fictive Art of Kawabata Yasunari, pages 140-146,
on
Senbazuru. (on reserve)
Wednesday, April 2: Prepare Kawabata
Yasunari, Senbazuru, pp. 48-94
April 4: Restricted course withdrawal deadline
Wednesday, April 9: Prepare Kawabata
Yasunari, Senbazuru, pp. 95-144
Wednesday, April 16: Prepare Kawabata
Yasunari, Senbazuru, pp. 144-199
FIRST PAPER DUE NO LATER THAN TODAY.
Wednesday, April 23: Prepare Kawabata
Yasunari, Senbazuru, pp. 199-233
Wednesday, April 30:
Prepare Kawabata Yasunari,
Senbazuru, pp. 233-272
By now you should also have read Van Gessel, Three
Modern Novelists, the chapter on Kawabata, and Roy Starrs, Soundings
in Time: The Fictive Art of Kawabata Yasunari, pages 140-146,
on
Senbazuru. (on reserve)
There will be a quiz on Gessel and Starrs.
Wednesday, May 7: Senbazuru
paper due. Deliver it to my office, or send it by email, by noon.
April 30: Restricted Complete
Withdrawal Deadline
FINAL EXAMINATION: Wednesday May 14,
4:40-6:30.
535 (graduate) students: Turn in and answer
questions about your papers comparing Chijin no ai and Senbazuru.
435 (undergraduate) students: Prepare, IN
WRITING, five questions to ask the graduate students about comparing Chijin
no ai and Senbazuru.
HAVE A RESTFUL, PRODUCTIVE SUMMER!