ARIZONA STATE UNIVERSITY

ADVANCED READINGS
IN MODERN JAPANESE LITERATURE

SPRING 2003

JPN 435, Line number 59303
JPN 535, Line number 79151

daily schedule

course description//required materials//Reserve library//basic reference books//course requirements//contacting me//e-mail//attendance, etc.//academic dishonesty//etiquette//evaluation

concerning your papers

internet resources


Instructor: Anthony H. Chambers, Professor of Japanese
e-mail:  anthony.chambers@asu.edu
office telephone:  480-965-0517
Office Hours:  Tuesdays and Thursdays 9:30-11:30 AM.  If these hours are inconvenient, I'm happy to make arrangements to meet with you at other times.  Please contact me.


Days and Times:   Wednesdays 4:40 - 7:30 PM


Room:  Languages and Literatures Building, room 265


Prerequisites:
for JPN 435:  JPN 314 (second semester of third-year Japanese), or the equivalent
for JPN 535:  JPN 314 (or the equivalent) and graduate standing or permission of the department




Course Description

We will read, discuss, and write about two representative 20th-century Japanese novels:   Chijin no ai, by Tanizaki Jun'ichirô, and Senbazuru, by Kawabata Yasunari.

Before each class meeting, each student will send an email message to the rest of the class and to the instructor.  These messages will include:  (1)  language questions (vocabulary, comprehension, etc.); (2)  commentary on developments in plot, imagery, themes, characterization, etc.;  (3)  topics for discussion in class.

These email messages must reach the class members by NOON ON THE DAY OF CLASS.  Each student should check his or her mail after noon on Wednesdays, PRINT OUT each message, and bring the printouts to class.

For other requirements, see "Course requirements," below.



Required materials

    Books  (available at the ASU Bookstore):


    You will also want to have the English translations of these novels.  They are readily available from Amazon.com and other dealers, often at discount prices.

On Reserve at Hayden Library

Donald Keene, Dawn to the West:  Japanese Literature in the Modern Era  (on reserve under FLA421)
Ken K. Ito, Visions of Desire:  Tanizaki's Fictional Worlds
Van C. Gessel, Three Modern Novelists:  Sôseki, Tanizaki, Kawabata
Roy Starr,

Basic Reference Books

Kodansha Encyclopedia of Japan  DS805 .K633 1983 (Hayden Library Reference Collection)



Course requirements
Contacting me:  Meeting with me and contacting me outside of class are important parts of this course.  Please don’t hesitate to visit or call me, even at home, when you have problems or questions.  If my office hours are inconvenient for you, contact me by telephone or e-mail or ask about other times when we might meet.


E-mail:  See above, at "Course Description."  Each of you should have an e-mail address and check for messages regularly.  I’ll respond to questions, convey changes in assignments and schedules, send announcements, and provide other information important to the class by e-mail.
    Every student is eligible for a free ASU e-mail account. To establish an e-mail account at ASU, go to the Computer Commons Building on the main campus and use a self-subscription computer to sign up.  You can also acquire software at the Computer Commons to gain access to ASU e-mail from your home computer.
     You can send e-mail messages in Japanese (and do word-processing in Japanese) at the Language Lab (in the basement of the Languages and Literatures building).
     I normally check my e-mail at least once a day, Monday through Friday.


Attendance, make-ups, withdrawals, incompletes:
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If you must miss class in order to participate in University-sanctioned activities (such as band, debate, or athletics), you may be excused and allowed to make up examinations and other graded in-class work if:
1.  you identify yourself to me before the day you expect to miss class and make advance arrangements to make up missed work (missed work must be made up as soon as possible, and in any case within one week); and
2.  you provide me with a copy of your travel schedules and a note from your coach, band leader, or whatever; and
3. such activities don’t become so frequent that they interfere with your progress in Japanese.

More on attendance:
1. Participation in a University-sanctioned activity does not entitle a student to receive an extension on the deadline for submitting a written assignment.
2. Each unexcused absence may result in the deduction of 5% from the student's final grade in the course.
3. Three late arrivals at, or early departures from, class will count as one absence.
4. If you miss class because of an illness, you must present a medical excuse from a physician.
5. Please call in advance to let me know when you will miss class.
6. If you do miss class, it is your responsibility to get copies of anything that was handed out in class and to complete required work by the deadline.
7. There will be no make-up work, no late work, no extensions, and no supplemental work to raise your grade, except as described above.

For withdrawals, I adhere to university policies and deadlines.  There will be no incompletes unless you’re doing well in the course otherwise, have nearly completed it, have some colossal, unforeseeable, and documented event that prevents you from finishing, and see me before the final exam if at all possible.



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Etiquette
1. Turn off all telephones and pagers before class begins.
2. Food and drink are not allowed in ASU classrooms.


Evaluation
Concerning Your Papers

    JPN435 students will write two papers, one about each novel we read.  JPN535 students will write one paper on each novel and a third paper comparing the two novels.

    Written assignments may be in either Japanese or English.  All papers must be free of errors in grammar and orthography.

    Please photocopy anything that you quote in your paper, hilite the words or sentences you quote, and turn in with your final draft.



Internet Resources

If you know other good sites, please tell me about them!

Map of Japan

Chronology of Japanese History

Schauwecker's Guide to Japanese History

Japanese Literature Homepage

History of Japanese Literature
 



SCHEDULE (watch for changes and updates)

Wednesday, January 22:  Introduction:  Read this entire web page carefully.

Wednesday, January 29:  Prepare Tanizaki, Chijin no ai, pp. 5-52
While we're reading Chijin no ai, also read Van Gessel, Three Modern Novelists, the chapter on Tanizaki; and Ken Ito, Visions of Desire:  Tanizaki's Fictional Worlds, Chapter 3, "The West Remade"  (on reserve)

February 4:  Unrestricted Withdrawal Deadline

Wednesday, February 5:  Prepare Tanizaki, Chijin no ai, pp. 52-88

Wednesday, February 12:  Prepare Tanizaki, Chijin no ai, pp. 89-140

Wednesday, February 19:  Prepare Tanizaki, Chijin no ai, pp. 141-178

Wednesday, February 26:  Prepare Tanizaki, Chijin no ai, pp. 179-225

Wednesday, March 5:  Prepare Tanizaki, Chijin no ai, pp. 225-277

Wednesday, March 12:  Prepare Tanizaki, Chijin no ai, pp. 277-317
By now you should also have read Van Gessel, Three Modern Novelists, the chapter on Tanizaki; and Ken Ito, Visions of Desire:  Tanizaki's Fictional Worlds, Chapter 3, "The West Remade"

There will be a QUIZ, in which you'll be asked to apply your understanding of Van Gessel, Three Modern Novelists, the chapter on Tanizaki; and Ken Ito, Visions of Desire:  Tanizaki's Fictional Worlds, Chapter 3, "The West Remade"  (on reserve), as they apply to Chijin no ai.


Midterm Grades Due


March 16-23:  No classes (spring break)

Wednesday, March 26:  Prepare Kawabata Yasunari, Senbazuru, pp. 9-47
While we're reading Senbazuru, also read Van Gessel, Three Modern Novelists, the chapter on Kawabata, and Roy Starrs, Soundings in Time:  The Fictive Art of Kawabata Yasunari, pages 140-146, on Senbazuru.  (on reserve)

Wednesday, April 2:  Prepare Kawabata Yasunari, Senbazuru, pp. 48-94


April 4:  Restricted course withdrawal deadline


Wednesday, April 9:    Prepare Kawabata Yasunari, Senbazuru, pp. 95-144

Wednesday, April 16:  Prepare Kawabata Yasunari, Senbazuru, pp. 144-199

FIRST PAPER DUE NO LATER THAN TODAY.


Wednesday, April 23:  Prepare Kawabata Yasunari, Senbazuru, pp. 199-233


Wednesday, April 30:  Prepare Kawabata Yasunari, Senbazuru, pp. 233-272
By now you should also have read Van Gessel, Three Modern Novelists, the chapter on Kawabata, and Roy Starrs, Soundings in Time:  The Fictive Art of Kawabata Yasunari, pages 140-146, on Senbazuru.  (on reserve)
There will be a quiz on Gessel and Starrs.

Wednesday, May 7:  Senbazuru paper due.  Deliver it to my office, or send it by email, by noon.

 April 30:  Restricted Complete Withdrawal Deadline



FINAL EXAMINATION:  Wednesday May 14, 4:40-6:30.

535 (graduate) students:  Turn in and answer questions about your papers comparing Chijin no ai and Senbazuru.
435 (undergraduate) students:  Prepare, IN WRITING, five questions to ask the graduate students about comparing Chijin no ai and Senbazuru.




HAVE A RESTFUL, PRODUCTIVE SUMMER!