Welcome to my page about hand spinning. Be prepared for a wall of text. :) I’ll provide some links to sections here, so you can choose to try and brave it all at once, or just go section by section.

If you wish to return to the top of this page, simply click any of the horizontal lines

All pictures were taken by me, using a Nikon D100 with a 50mm-120mm lens and a polarized filter. Most have had levels and curves adjusted in Camera Raw plugin and Photoshop. I do have a couple of pictures of yarn that were taken months ago using my point and shoot - a Canon Powershot A510. The pictures actually ON the page are thumbnails, so clicking on them will bring up the full size, full resolution picture in a new window.


**Disclaimer**
Please keep in mind, before getting irate about any of this – most of this is probably presented from a bit of a bias, because there are things I prefer about *my* hobby. That doesn’t mean I’m right. And while I do know a lot about this, I did have to refresh my memory and go look a bunch of it up before I wrote it down on paper. So there’s bound to be things missing (maybe I deliberately chose to leave them out), and I probably made a mistake or two.


The basic concept of making yarn is this:   Twist!

Different types of wheels

There are technically three types of spinning wheels:

Upright/castle

This is exactly what it sounds like: upright. Basically, this means that the actual table that holds the mechanics that make the yarn (also called the Mother-of-all) are situated above the largish wheel that drives it (fly wheel). It’s also called a castle wheel because it was commonly used in castles where there wasn’t necessarily a lot of space. The picture to the right is a great example of a castle wheel, and it happens to by mine – an Ashford Traveler that was a Christmas present from my parents. It was bought unfinished, so I finished it myself with Land Ark and Tung Oil.

One of the greatest things about owning your own wheel is that you can customize it, so let me formally introduce mine. I have this thing about naming objects when I’ve used them so much that they’ve begun to take on a personality. This is Ista – I know every inch of her, including how to take her apart and put her back together. She’s guarded by the twins Iris and Aris, who have a story, I just haven’t written it yet. I’ll have more pictures later of the twins and some of the other customized stuff on Ista.

Saxony

A Saxony wheel is the other most common wheel among hobbyists today. The difference is that instead of the Mother-of-all being above the fly wheel, it’s beside it – usually to the left. This also means that there’s more room for the fly wheel to be larger. I learned to spin on a Saxony wheel, and it took up a lot of space anywhere I tried to put it – room or car.

Great/Walking

I think a walking wheel (or a great wheel) is probably the most recognized spinning wheel ever, aside from the one in Sleeping Beauty. This is probably technically classified as a Saxony wheel – the Mother-of-all is to the left of the fly wheel. But what’s special about a walking wheel is that it is huge, just about the height of a person. It has no treadles, because it was meant to be spun with the hand and the yarn made by walking towards and backing up from the wheel.

Drop spindle

A drop spindle isn’t a spinning wheel, but it has the same function as one. As you can see by this picture, it’s much less complicated than a spinning wheel, and much smaller! Some beginners start on a drop spindle because it’s easy to make one, as opposed to the $400 plus that you’d have to spend to buy your own spinning wheel. A drop spindle consists of a stick and a weight – this one is made with a dowel and a craft wheel. When I was younger, we once made one out of a pencil and a potato in Girls Scouts. The potato one didn’t work very well because it wasn’t balanced, and the one tricky thing about making a drop spindle is getting the balance just right.

There are two types of drop spindles that I am familiar with. The bottom whorl drop spindle has the hook and the whorl at opposite ends of the stick. The top whorl has the hook and the whorl at the same end. A top whorl is what I prefer, so that’s what the picture is.



Parts of a wheel & other key terms

    

I actually had to look a few of these up. While knowing the key words isn’t necessary to finish reading this, it’s certainly much easier to refer to things by their specific name instead of “that round thing that spins when you push this flat thing.” :P Most of these parts are present on every single wheel, but their placement can vary.

Fly wheel - Basically, it’s the large wheel that takes up most of the actual spinning wheel itself. It’s powered by a foot pedal, and in turn, it makes everything else turn.

Treadle - Again, simple – the foot pedals. Or pedal. My wheel is a double treadle, but wheels can also be single treadle.

Conrod - The bar(s) connecting the treadle assembly to the fly wheel.

Base, wheel supports, maiden bar supports, legs - Basically everything else that is vital to keeping the wheel together, but doesn’t really play a part in the actual making of the yarn. The base is what the legs, wheel & maiden bar supports are attached to. The wheel supports have a pin that goes through them which holds the wheel and allows it to spin freely. The maiden bar supports hold the mother-of-all. The legs… are self explanatory. :) Except that the front legs also hold the treadle assembly.

Leader - A blank bobbin needs something to start the fiber on it. This is where the leader comes in. It’s usually something simple like cotton string, and is tied to the bobbin and pulled through the orifice to start the fiber.

Drive band - There’s a string that runs from the fly wheel to the flyer assembly. The fly wheel may drive the whole thing, but the drive band is what allows it to actually do that.

Flyer - The thing with arms and hooks. Take a look a the picture below the title to this section – this, together with the whorl, is what the bobbin winds on.

Flyer whorl - Picture! You can see this in the diagram above as well as the picture of Iris to the right. Mine looks like a cog, because it comes off the flyer to allow the bobbin to slide on. However, on the Saxony wheel I used to use, it’s attached on the opposite end of the flyer.

Maidens - Aris & Iris are painted onto the maidens (pictured on either side of this). These are the upright posts that hold the flyer and bobbin assembly. I’ve customized mine by carving a small groove that spirals up the maiden – it’s Aris’s tail, but it also serves to pinch my yarn when I stop in the middle of spinning. This keeps it from untwisting – it would fall apart if it did!

Orifice - Look closely at the flyer. See the black metal tube coming off one end? See the hole in it? That’s the orifice. It’s the reason all this actually works instead of ending up as one big, tangled mess of wooden wheel and yarn.

Tension knob - The tension knob is basically a wooden ball on a threaded metal stick. It threads through a nut in the maiden bar and rests on a glorified tack (officially called a drawing pin). This controls how taut the drive band is, because otherwise the wheel won’t twist the yarn correctly. There are technically two of these on my wheel, because there is also one to control how taut the Scotch tension brake band. More on that later – I’m trying not to be confusing.

Mother-of-all - This is the table that holds it all – flyer, whorl, bobbin, & tension knob(s). Mine unfolds for several reasons. The first is because that is how the wheel is put together – if you look closely, you can see the screws that adjust the horizontal position of the table, as well as the screws that attach to the supports beneath it. The second is because it works with the tension knob, so I’ll explain more about that when I talk about it.

According to my assembly guide from Ashford, this is split into two parts: The maiden bar (which is the top part), and the top rail (which is the bottom). Don’t ask me why they called the bottom part a *top* rail. I finally got Mom to paint mine, as you can see from the picture.

Distaff - I included a distaff here because when I go to historical shows, everybody always asks me about the spinning wheel Sleeping Beauty pricked her finger on. Sorry guys, my wheel doesn’t have one of those – it’s called a distaff. A distaff is basically a cage on a stick, and it’s used primarily when spinning something with really long fibers. Namely, flax. I don’t need a distaff because it’s a lot harder to grow and prepare flax than it is to prepare everything else.

Drafting - This is when you pull the fiber between your fingers to make it fluffier. This makes it easier to spin finer yarn especially, and helps eliminate lumps.

Fleece - The term used for the fiber that comes off an animal. Think of an animal skin, but minus the actual skin – that’s fleece.


Tools of the Wheel

These are specific just for the wheel. There are two that are optional, but I include them here (instead of in the next section) because they travel with my wheel everywhere.

Oil - Oil, oil oil! Just like any other well-kept machine, a spinning wheel needs to be oiled. It’s so important that when you buy a wheel (from a manufacturer, anyways), it SHOULD come with a repair kit and a bottle of oil that looks like this one. The thin nozzle makes it easy to apply to hard-to-reach areas like the wheel shank and the treadle bars.

Orifice hook - This is that small beaded hook in the picture. It’s used to draw the yarn or leader string through the orifice in preparation for spinning.

Scissors - Optional, but very helpful, for hopefully obvious reasons. I have my scissors and orifice hook on a carabiner, along with some safety pins (because you never know when you’ll need them). This hooks on the tension knob so it’s close when I need it.

Screwdriver & Allen wrench - This wheel isn’t put together with pegs. It’s actually put together with screws and 4mm Allen wrenches. My wheel is an Ashford, which is made in New Zealand - hence the metric sizes. I usually carry around a small wrench in my basket because the mother-of-all uprights come loose easily, which makes the wheel… feel a little strange when it’s spinning.

Basket - Again, optional but useful. I use this to hold anything I might need often. Usually this comprises of a rag, a wrench, the fiber I’m currently working on, a small knick-nack, and my ball of PV yarn (more on that later). I added in a large cup hook on the outside of my wheel for this to hang from.

Repair kit - Which the majority of the wheel is made of wood and screws, there are some things that can break & may need replacing. The repair kit holds extra cup hooks, orifice hooks, drive band, treadle joints, “o” clip, brake band, as well as some extra connecting hex socket bolts that I added in because I ended up having to replace one.

Lazy Kate - A “Lazy Kate” is something that holds any extra bobbins. It can be separate from the wheel and look like anything from a straight up-and-down rack to a curved one. Some wheels have a Lazy Kate built in, like mine. My bobbins are on steel pins on the outside of the wheel – they used to be on the inside, but I decided I would rather have that space to put things on like my feet (when I’m not spinning).

Tools of the trade

These are… necessary but not. Clear as mud? Hehe. Seriously, none of these (except the string) are REALLY necessary, but they make life a whole lot easier.

Cotton string - I use this for almost everything – my leader strings, my drive band, if I need to secure my bobbins in some way. It’s also needed to tie skeins before they get washed.

Ball winder - Short history on balls of yarn. Traditionally, what would have been used instead of a ball winder is known as a “nostepinne” – pronounced nost-pin-ay. This is a glorified stick, and served the very important purpose of helping wind inner-pull balls. Inner-pull balls are different from any regular old ball of yarn because they are wound in a special way – an X fashion that does not hide either end in the center of the ball. Therefore, it’s possible to not have the ball roll everywhere when you are trying to use it… or it allows you to ply two ends of the same ball of yarn together. Someday I may feel ambitious enough to try and explain how to do this here, but let’s just say that no matter how hard you try to do this neatly, it will never end up that way. ^_^

This is where a nifty ball-winder comes in. It’s that plastic contraption in the photo, with the white cylindrical upright thingy. You clamp the winder to a table, secure one end of the yarn to the upright tube, crank the handle, and… viola! When the last of the yarn pulls through your fingers, you are rewarded with what is possibly the world’s most beautifully wound inner-pull ball. And look, it only took you three minutes as opposed to the thirty it would take to do it by hand! :)

Carding combs - These exist. I’m not going to say a whole lot about them later because I’m going to cover them much more in detail later.

Niddy noddy - No, that is not a spelling mistake. Yes, it is really spelled and called a “Niddy Noddy.” This is a tool used to wind yarn, whether between steps or if it’s just because you need to know how many yards a skein is. The one in the picture is a two yard niddy noddy; I believe it’s the most common – one revolution around is two yards. In my step-by-step process for making yarn, I’ll tell you more about how it’s used.

Dye - Obviously if you want fiber to be something other than a natural color, you need to use some kind of dye. Today, there are artificial as well as historical to get pretty much any color of the rainbow. This bottle of dye is artificial, and the color is cornflower blue.



How a spinning wheel works

Ok, now that I’ve thrown all that technical stuff at you, let’s get down to how things actually work. For the sake of simplicity, our basic fiber to put through this process will be sheep’s wool – it’s one of the easiest fiber to spin, and just about everyone knows what it is.

So picture this in your mind: when you push the treadles, the fly wheel spins, which causes the drive band to go around. But it’s more than that – if you set just that scenario up with a wheel, you’ll may be sitting with the wool in your hand twisting and twisting, but going nowhere. It is possible to over-twist yarn; it gets so much twist in the fibers that you get a yarn, then the yarn starts to wind around itself, creating all sorts of knots that would be uncomfortable if knitted with. Or, you could find yourself with the fly wheel spinning, but the drive band slipping on the flyer assembly, and not doing anything.

The key here is tension. First, it’s the tension of the drive band, which is what one of the tension knobs are for. Too loose, and nothing moves. Too tight, and… well, let’s just say the tighter the drive band, the faster the flyer spins. That may be fine if you’re spinning a long fiber like wool, but when you start getting into the shorter fibers, they get pulled right out of your hand before you can actually do anything with it.

Remember how I said the yarn winds up on the bobbin? That’s what the goal is. But on a spinning wheel, the reason the bobbin spins is because it’s traveling at a different speed than the flyer assembly. Something brakes the bobbin, which causes it to spin at a different rate, and poof! Suddenly you’ve actually got yarn going onto the bobbin. However, here we also have some variety in wheels. There’s two different ways to brake the bobbin – Scotch tension (also single drive), and double drive.

Take a look at the pictures I’ve got of my wheel. You can see that the drive band actually goes around twice - you can see this best on the picture right below this section, on the left side. This is the double drive of a wheel. The flyer is set up with the whorl on the opposite side of the orifice so that the drive band can go around the whorl of the flyer as well as the whorl of the bobbin. Personally, this is what I like – there’s one tension knob to make it all work.

So then we have single drive. Don’t ask me why it’s also called Scotch tension. This has two tension knobs: one for the drive band, which goes around the whorl of the flyer, and one for the bobbin. The brake on the bobbin consists of fishing line, or something of the like, and a spring or two. I’ve got a picture of my wheel set up for Scotch tension, because it has the ability to be both a single and a double drive wheel. It's the right picture below this section - look for the stretched springs if you have difficulty finding the single drive band.

There’s one more thing I have to keep tacking on at the end of these sections: the drop spindle. If it takes all these complicated wheels and cogs to make a spinning wheel work, then how can a drop spindle possibly do the same job? Gravity. The basic construction of a drop spindle is a stick with a weight and a hook on the end. The yarn (whether it’s previously made yarn or a leader) is secured around the hook. The drop spindle is allowed to hang freely, and gently spun as the spinner drafts the fiber.

Personally, I feel a drop spindle takes a lot more coordination than a spinning wheel, but from what I’ve been able to tell it’s entirely a personal preference among spinners. Some feel that the whole “coordinating hands with feet” thing for a wheel is more difficult to get down than just spinning a drop spindle by hand. But there’s one thing going for drop spindles – they’re much cheaper! :)

      


What can be spun?

    

Once I learned how to spin on wool, an entire new world of fiber opened up. There isn’t a whole lot that can’t be spun when it comes to fibers – as long as it’s a certain length (anything longer than half an inch or so), why not try it? Of course, getting into spinning as a hobby is like being sucked to the dark side. You just start… collecting fiber! O.o And if you’re like me and not really into knitting, not only do you start stashing fiber everywhere, but you also have yarn up to your eyeballs! So let me share what different kinds of fibers I have in my collection, as well as some of the other fibers that can be spun.

Variety of yarn in the left picture, back row:
blue wool (self-dyed), Egyptian cotton, llama, red Colonial wool (bobbin)
Middle row: white wool, soy silk, alpaca, llama (bobbin)
front row: cat, mohair, angora (just a piece), flax tow (bobbin)



Animal

Wool - Wool is possibly one of the most recognized fibers ever, and so is the animal it comes from – a sheep. Wool is “harvested” once a year, allowing the sheep to grow its fiber back and have it for warmth over the winter months. Then they are sheared, and the rest of the processing goes from there. The fiber is also one of the longer fibers available, which is why it’s best to start a beginning spinner on.

The picture on the right is the wool fibers I have. The bottle of blue dye is what was used to dye that ball of yarn, and you can also see several stages of the pre-spinning process - uncarded, carded, and spun fiber. The red Colonial Top fiber is store-bought, and it's what milled fleece would look like. I've also marked in the picture about how long the fibers are.

The other reason wool is best to begin on is the way the fibers are. Each hair has tiny little hooks on it which make it grab onto other fibers extremely easily. Think of a cotton ball on Velcro – while over exaggerated, it’s basically the same concept. Most other fine fibers lack this, which is what makes them more difficult to spin (fiber lengths aside).

However, all sheep are not created equal! Ever hear of merino? Merino is one of the best and finest wool fibers available, with a fiber length of about 4-6 inches long. Blue Face Leicester ranks right up there with it as well. The picture I have of a sheep’s fleece has fibers about 4 inches long.

Llama - Llama is, in some ways, an alpaca knockoff. It’s softer than wool, but not nearly so heavenly as alpaca. It has fibers about 3 inches long. I believe it’s harvested about the same way wool is – shorn from the animal before the summer months.

In wool, pretty much all the hairs in a fleece are the same. The one thing to watch out for in llama wool is the guard hairs, which are longer, coarser hairs that sometimes stick out of the yarn (or anything that’s made of the yarn) and poke you.

Alpaca - Alpacas are in the same family as llamas – they look very much alike. It’s a dream to spin. It’s easy on the hands because it is so soft! The fibers are shorter (about 2 inches), but it’s all worth it in the end.

Let me put it this way: I once paid $5 for an alpaca fleece that had dry mold on it, just in the hopes I’d be able to save most of the fleece. The finer a fiber, the more expensive it is, whether you’re buying yarn or raw fiber. Turned out that I did save most of the fleece, so here’s a picture. It’s soft just like it should be, and has such a gorgeous color!

Mohair - Mohair is a common word (I think) tossed around in clothing today. Funny thing is… mohair is an angora goat. It’s not as soft as regular angora, but it’s certainly softer than wool. I’ve got a bunch of pictures of a mohair fleece because it’s what I was processing at the time I wrote all this.

Yak - Strange a fiber as this may seem, I have spun Yak before. It was fluffy with short fibers, and was about as soft as llama or alpaca. The ball of yarn to the right is a picture of the finished product.


Angora - Angora is a high-end fiber like alpaca, with short fibers of about 1inch long. The difference is that it comes from a rabbit! It’s also considered “clean” fiber – it’s one of the few fibers that don’t have to be washed or carded before spinning. There are several different breeds of angora rabbit, and they all tend to look quite similar to mops. If you’re in the fiber arts “industry,” it is very obvious that they are a fiber animal.

A lot of people sort of get this look on their face when you tell them angora comes from rabbits. “Ewww… so you kill the rabbit?!” They usually say. Let me clear this up right here! Have any of these other animals been killed to harvest their fiber? Of course you don’t kill the rabbit!! Look at it this way: it would be foolish for a farmer to kill an animal for fiber. Then you only get fiber once. It makes much more sense to cut the fiber so that the animal produces a fleece every year.

But the way angora fiber is achieved is sometimes a little different than just giving the rabbit a regular haircut. It can be sheared, brushed out, or plucked. I think it depends on the person, and how much of an avid spinner they are. I know someone who raises angora rabbits and spins their fiber, and she does not shear them. Instead, she plucks the fiber gently from their coat – it comes out easily. She does a lot of demonstrations, and she usually takes her rabbits with her. She sets up her wheel and then sits a rabbit in her lap, plucking the fiber and spinning it right away. The advantage to this is that there’s no cutting involved. While cutting a fiber is unavoidable for most animals (and possibly plant fibers as well), it’s only done at the base of the fiber because it weakens the individual strand. So no cutting out knots!


Specialty (cat; dog) - I’m covering specialty fibers last because it seems like there are not a whole lot of spinners to experiment with them. Cat and dog hair fall under specialty fibers, and before you freak out, let me explain. :) Making yarn out of your beloved Fido or Fluffy can be a nice way to keep them close to you – whether they are getting up there in years and are destined to soon pass on, or not. I present, for evidence, the single ball of cat hair that I have spun. Personally, it’s a little less morbid than having my cat mounted and stuffed, especially if the animal in question (like the one this fiber belonged to) is deceased because they were hit by a car. Having my pet cat staring at me endlessly from a corner of a room? Eh… but having my pet cat staring at me endlessly from the corner of the room with tire treads down its middle? Hell no.

Cat or dog hair is harvested pretty much the same way angora is – by brushing. But there are a couple stipulations. Spinning any fiber, period, depends on the length of the fiber. When this is applied to cats, you can really only spin the fur of long-haired animals. If you’ve got a lab, or a greyhound, or something… I’m truly sorry, but you’re SOL. The hairs are a grand total of ¼ inch long, and coarse to boot.

Most long haired animals have a double coat. The nice, soft hair you see when they’re sitting in your lap or at your feet? Those are the guard hairs – they usually do jobs such as shed water and other stuff, as well as protect the animal. The undercoat is practically invisible, but is usually what you get when you brush them out – it’s soft, fluffy, and it looks soft and fluffy. It’s not glossy at all. I think it’s probably safe for me to say that the length of the fiber depends on the size of the animal – cats are probably between a half and full inch long. Dogs are probably a little bit longer.

If you have an outdoor (or indoor/outdoor) cat, the best thing to do is to wait until the change of seasons, and then they will be completely shedding a coat and leaving it everywhere anyways. So brushing said cat out regularly not only helps them shed it (which is the case for rabbits as well), but it’ll leave your floors a little cleaner. My fiber is from our cat PV, who had very long hair – he was part Maine Coon cat.

This can be done with dogs too. However, there are some dogs (such as Newfoundlands) that seem to be soft and fluffy all the time. Don’t quote me on that – I don’t get to see Newfie’s very often. But I do know that the fluff of a Newfie or Great Pyrenees is one of the most common dog hairs to be spun, because the fibers are long for a dog – maybe 2-3 inches, or longer? It also probably depends on the length of the coat, just like a sheep.

The only disadvantage I have ever heard of when it comes to spinning pet hair (primarily dog) is this: if you knit something from the dog yarn, and that happens to get wet, well… it smells like wet dog. ^_^ I haven’t done anything with PV’s yarn, it just sits in the little basket I hang on my wheel, sort of in memory. I don’t regret a whole lot, but when it comes to spinning… I regret that it never occurred to me to spin the hair of my dog before she passed away, so I could have her yarn accompany PV’s.








Silk

I wasn’t completely sure whether to classify silk as a plant or an animal. Technically, it’s neither, so it has its own little section.

Silk is a very high-end fiber, known all around the world for its light weight, strength, and abilities of insulation, breathing well, and to a certain degree, warmth (I think). Silk is a “byproduct” of silkworms – it’s processed from the cocoons they spin. I really have no idea just how they do it, but the spinnable fibers are short and, well… silky. They slip very easily on each other, but the resulting yarn is strong and has a nice glossy shine to it.

You'll have to excuse this picture - it's an older one. Taken with my little point-and-shoot... didn't quite get the focus down. :(



Plant

Flax - When it comes to historical spinning, flax was just as important – or more – than wool. It’s used to make linen cloth, rope, and probably a bunch of other stuff too. Around PA, you often see little blue flax flowers in gardens, which I believe is a variety from the true fiber plant. Flax grows to be probably about four feet high, and is pulled before it goes to seed, because the seeds are also a staple for linseed oil. The plant is pulled up by the roots instead of cut so as to not break the fiber. Then it goes through retting - placed in water and allowed to rot to detach the stem from the fiber. Believe it or not, this is actually a delicate process, because too much rot will damage and weaken the fiber, but too little will not allow the stray to be separated from the fiber without damaging it.

Then there are several tools which must be used to actually strip the hay part of the plant from the fiber which is inside. First, the stalks are broken – imagine a modern day paper cutter, except with a blunt edge instead of a blade, and the arm with the “edge” rests between two bars of wood. Once the straw around the fiber is all broken to pieces, the stalks are then drawn through a series of combs. The fancy name for this is hackling, but it’s very similar to brushing your hair. Of course, just like the hair that remains in your brush, some of the flax fibers don’t make it to the final product. This can still be spun – it’s called flax “tow”, but it’s rougher and tangled.

I’ve got pictures of the flax I have – both tow byproduct from the combs, as well as the finished fibers. These are what are wrapped around dowels, to simulate a distaff and keep the fibers straight, otherwise they will get all tangled and I’ll waste more of the nice stuff trying to get out the tangles. The bobbin is filled with bleached tow.

Flax was meant to be spun very, very fine. So fine, in fact, that there are actually special flax wheels for it. The most obvious sign of a flax wheel is a distaff, of course, but the flyer hook will also be so small that it’s next to impossible to even think about spinning anything else. Many of the antique wheels I’ve seen are actually flax wheels. This type of wheel is actually probably the type people are most familiar with, because what Sleeping Beauty pricked her finger on was the distaff of a flax wheel.

Flax does not necessarily need to be plyed, because it is strong enough as a single thread. However, there are two ways it can be spun: wet or dry. Spinning flax (or hemp) wet means having a small container of water next to your wheel and keeping the fiber damp as you spin it. In essence, the water mixes with the gluten in the fiber and basically glues the threads together, so spinning flax wet makes it much stronger. Dry spun flax makes the yarn a little fuzzier, but it also becomes rougher. Therefore, linen made from dry spun flax was usually not used for clothing, instead used for tents and other stuff like that.

Traditionally, it took approximately a year to make a full set of clothing.

Bamboo - One of those oddball fibers… from what I understand, bamboo is chemically treated similar to the way they treat nylon or rayon. It had long fibers, maybe about 6 inches long, and had the same texture as silk. Mine had an absolutely beautiful color... see the picture to the right.

Soy silk - I have no idea how they get soy silk, except that it comes from the soy plant. I have spun it – it feels very similar to regular silk, and it had a nice rich ivory color. The fibers were about 3 inches long. It's the smaller ball in the lower picture to the right.

Cotton - I have never spun regular cotton, of course, it can be done! This was one of the staple fibers, historically. However, I have spun Egyptian cotton, and let me tell you… this damn stuff had to be the hardest fiber I had ever spun. The fibers are extremely short, but very slippery, and more than once I thought I had the “yarn” only to find it had already slipped through my fingers. Yes, it is soft and light, but I’ve got a lot of other stuff to spin before I ever try this again. :) (It's the larger ball in the lower picture to the right)

Hemp - No, the industrial hemp, not the kind you smoke. Well, I suppose you could smoke this, but it would take you an entire bale to actually get something that resembled a high. Industrial hemp is actually very versatile; it grows about 7 feet high in one growing season, and is spun very similar to flax – wet or dry. I don’t really know anything about the harvesting process, which is strange because my spinning mentor actually does mostly hemp spinning for a living. Guess I wasn’t paying attention enough?

Nylon/rayon - I had to tack this on at the end because I mentioned the bamboo. I don’t know anything about the process, but it is possible to buy little bags of metallic rayon/nylon to accent your yarn with.





Step by step process of making yarn

This is as applied to animal fleeces like wool, mohair, alpaca, llama, etc.

Skirting

Ok, so you’ve been gifted with a freshly shorn fleece, straight from the sheep. Obviously it can’t be spun right away, so what now?

These animals wear these coats all year round – in the cold season, in the rain, in the mud, in the snow, etc. They are not exactly the cleanest things found on earth. So the first step is to lay the fleece out flat. If you do it right, it’ll look like a flat sheep and you’ll be able to see where the legs, head, & body were. So you start at one end and begin picking out anything that isn’t actually fiber: poo, burrs, sticks, straw, anything that looks really extremely dirty. This is called skirting, and it’s the most disgusting part of processing a fleece yourself. :) The only plus to this is that if you’re doing a wool fleece, the lanolin that naturally occurs in wool will make your hands nice and soft.

Washing

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Basically, Dawn + Water + Fleece = soapy fleece. The fleece should sit in the dish soap for a bit, probably anywhere from 15-30min. There are a couple things to remember when washing fleece:

1. NEVER EVER simply throw it in the washing machine. In fact, don’t ever throw anything handspun in the washing machine. This will felt the fleece and ruin it. Felt is made from wool, and it has its place, but it basically makes any fiber one giant, uber mat.

2. Likewise, if you severely agitate the fleece when it’s sitting in water, it’ll felt. Don’t be a human washing machine. It’s ok to rub your fingers through it to rub out the dirt, and turning it over is good too, but don’t get too excited. And when it comes to finer fleece, I’ve learned to move it as little as possible (when it comes to flipping/rotating), because that will just make the fibers tangle more.

3. There are many disputes over the temperature of the water used to wash fleece. The universal consensus is that it CAN’T be cold, but from there things go a little gray. I was originally taught that the water should be lukewarm, otherwise the fleece will felt. However, when I was having problems getting an especially greasy Corriedale (type of sheep) fleece clean, I was told to use water as hot as I could stand. I’ve gradually learned that it’s the drastic change in temperature that will felt a fleece, so I use warm water – not so hot I can’t put my hands in it, but definitely not lukewarm. The water shouldn’t go cool after 10 minutes. It should be able to go a good half hour and still be warm.

Ok, so once you’re done washing it, of course it has to be dried! To me, this is the hard part, because when fleece gets wet it takes up much less volume. But it should be drafted a bunch to help it dry, so it takes up more space. DON’T throw it in the dryer. I’ve never tried it, but it just seems like a bad idea – it would probably felt. The best way to dry fleece is to spread it out on some type of screen. In PA, my favorite way is to borrow my grandmother’s sweater dryer, which is basically a mesh pulled taught between a frame; in AZ, I take the screen out of my window and suspend it between two big under-the-bed containers (as you can see in the pictures). Weather plays a part in how long it takes the fleece to dry – a clear, sunny day is best, with the wool sitting in the sun. It would take much longer in the shade. I’ve also found that fiber dries much better in AZ because the humidity is virtually nonexistent.



Carding

Once fleece has been washed, it gets sort of… ratty. It tends to clump up on itself, and this would be difficult to spin. Therefore, you’ve got to do something to it so that it’s spinnable, and this process is called carding. It’s pretty similar to the human equivalent of brushing hair – it pulls apart tangles, allows any leftover detritus to fall out and aligns the fibers with each other so they are easy to work with. It becomes fairly light and fluffy, and this is when you truly see the softness of the fiber.

Traditionally, carding is done with something like these carding combs. These particular combs are on indefinite loan from my mom’s best friend Eleanor Sweeney. The tines (for lack of a better word – I’m sure there’s a technical term somewhere) are bent, so the cards are pulled against the bend. This means the handles are across from each other and moving outwards; opposite of this picture. Going with the bend easily removes the fiber. These tines can also be on a drum carder, which works in a similar fashion but is cranked instead.

Imagine the size of a sheep. Now imagine the size of his fleece. See these combs? They’re little, in comparison. Carding is hard on the hands, and takes FOREVER to do an entire fleece. So there’s another alternative – I think this one is nearly every spinner’s dream. You can send your fleeces away to a fiber mill. They use big machines to do anything from washing the fleece, to carding it, to even making it into yarn. All for the right price, of course. Personally, I don’t mind washing my own fleece – it’s something achievable, rather than paying the rather exorbitant price for someone else to do it. But I’ve got 2 sheep, 1 mohair, and 1 alpaca fleece, so I’m saving up to be able to send it all away to a fiber mill.

And then there’s the fact that fiber comes back from a mill in a nice, long wrist-sized “rope” of carded fiber… :D

Spinning

I’ve covered the mechanics of a wheel, so let me cover the actual process itself. You’ve finally got your wool fiber skirted, washed, and carded, so you sit down at the wheel with a fresh bobbin and the wool beside you. Obviously, your feet go on the treadle(s) and push them up and down. But your hands also have to draft the fiber – pulling it apart so that it looks like a cloud, if it’s white. The leader string gets pulled through the orifice with the orifice hook, and the wool is wrapped through the leader string.

But which way to turn the wheel? Well… depending on whom you ask, you will get two different answers. I was first taught to spin the wheel clockwise – this is a S-twist, and may be the more common direction. However, I don’t have the type of personality to just accept something, I like to ask a lot of questions. So when I first started learning, I’m surprised my mentor didn’t throw herself off a cliff or something – what can I say? I like to know things! By the end of the day, I’d basically learned that it doesn’t matter which way the wheel spins, as long as the ply is done the opposite way. A Z-twist yarn is spun counter-clockwise and is usually what I spin because I like to be different, and my wheel seems to naturally spin better that way.

::takes a deep breath:: Ok. Moving on. Basically, using a spinning wheel takes a well-coordinated effort between your feet moving the treadles and your hands drafting the fiber and controlling the twist that travels up the yarn. Unfortunately, if you didn’t get this big long explanation… then there’s not much I can do to help you short of a live demonstration. Maybe there are some videos online, maybe there will be some demonstrations at your local Renaissance Faire or historical society. Before I completely give up and move on, let me quickly cover spinning with a drop spindle.

In my opinion, a drop spindle is more difficult. But please note – that’s MY opinion. Some people find them easier and prefer them. Basically, instead of your feet doing the treadling, you are using your hands to spin the spindle, which twists the yarn. But since you also have to use your hands to draft the fiber, control the twist, hold the fiber/yarn above the spindle, wind the yarn onto the spindle & around the hook… well obviously it takes a bit to get into a rhythm and get the hang of when to do everything.

Plying

Ok! So the bobbin is full, I’m done! Ha! Not quite, sorry. :) “Thread” is a good description for single ply yarn – the stuff you spun in the last step. However, this thread is not very strong (unless it’s a specific fiber that doesn’t NEED to be plyed, like hemp or flax) when it is single ply. Not only is it easy to break with your hands, but if you grab an end from the bobbin and unwind it, it gets all twisty and knotted on itself. Of course – it should, because that’s the twist you put in it. But obviously, something’s got to be done about that.

The next step is plying. While there are a couple ways to actually accomplish this, the end result is the same: the yarn is twisted with itself to increase strength. Take a string, fold it in half, twist, and that’s plying. I said you could do it a few ways – the first is to ply from two separate bobbins, if you spun that much thread; the second is to wind an inner pull ball from the bobbin and ply the two ends together. You can use a nifty ball winder to make this easier. I don’t have a picture of this because I don’t have any plying in progress at the moment.

You can also do multiple ply yarn – three, or four. Embroidery thread is normally seven – go count it. :P

Washing

Once the yarn is plied, you have to set the twist. At this point, if you were to pull the yarn off the bobbin like you did in the previous step, it would act just about the same way. This would probably be very difficult to knit with. The way to do this is by washing it… again. But there’s a special way to wash the yarn – using a tool I talked about earlier, a niddy noddy. The yarn gets wound around the niddy noddy; this is also a handy way to see how many yards of yarn are on the bobbin, because one length around the niddy noddy is typically two yards. Once all the yarn is wound onto it, tie it in 4-6 different places with some string. This is called a skein, and normally is seen twisted up, ready to be spun or bought.

Here’s the trick about this wash: the yarn must dry taut. It’s almost more like a soak – the yarn goes in the sink or container for about 15min, filled with warm water. Don’t worry about if it gets twisty, that’s why it got tied in a couple places. The yarn needs to be hung, and weighted so that it is stretched, just a little bit. Enough to pull any twists out, but not so much that it’s extremely stretched. This is called “setting the twist,” because once the yarn is dry, it will not easily gnarl and twist the way it was before. Instead, the individual threads will be wound around themselves.

Once the yarn is dried, it’s ready to be used. Its personal preference whether you simple cut the ties and leave it in a skein, or use the ball-winder to put in a inner-pull ball.





Ladies and Gentleman, this concludes my long winded page on hand spinning. Feel free to contact me with questions. Or you can check out The Joy of Hand Spinning- they’ve got a pretty informative page about stuff, including some nice videos on different techniques.


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