SLN: 80156
Tuesdays 6-9
Farmer 332

 
   
     
 
Last modified:
8/18/2008
 
     

 

ENG 329, Nineteenth Century British Fiction

Fall 2008

Syllabus


This course meets on Tuesday nights from 6-9. Readings are listed below on the syllabus. In addition to completing the weekly reading, submitting the writing assignments, and attending class regularly and participating in in-class discussion, you are required to participate in asynchronous Blackboard discussions every week. .

Dan Bivona
Office: L&L 224
dbivona@asu.edu
Office hours: Tuesdays, 1-5 PM, and by appointment
Phone: 480-965-7752
My Website

See my faculty profile here: http://www.asu.edu/clas/english/who/bivona.htm

This course is a broad survey of the nineteenth-century British novel. The purpose of the course is to introduce you to the range of novelistic discourse in the nineteenth century, to help you develop your critical interpretive skills, to assist you in improving your writing skills, and to help you develop your research skills. You need not have studied nineteenth and twentieth century British literature previously to take this course.

The readings range widely enough so that you will get the flavor of gothic fiction, sensation fiction, Realism, Dickensian psychological fiction, adventure fiction, and the political novel. Assignments include 2 critical papers, 1 critical research paper, and regular participation in both Blackboard discussions and in-class discussions. You also have the option to revise and resubmit one of your first two critical papers for an additional grade.

Assignment Where it can be found Due Date % of Final Grade
1st critical paper, 3-5 pages in length* Topics in the "Writing Assignments" area of Blackboard due in the Digital Drop Box on September 18, 11:59 PM 20%
2nd critical paper, 3-5 pages in length* Topics in the "Writing Assignments" area of Blackboard due in the Digital Drop Box on November 6, 11:59 PM 20%
3rd paper: critical research paper Topics in the "Writing Assignments" area of Blackboard due in the Digital Drop Box on December 9, 11:59 PM 35%
weekly contributions to class discussion, on Blackboard and in class; weekly quizzes on the reading "Discussion Board" area of Blackboard and in class throughout 25%
Total     100%

*You have the option to revise and resubmit one of the two critical papers for an additional grade. If you choose to do so, your first draft grade will count for 10% of your final grade and the revision grade will count for 10%. Revisions are due in the digital drop box on the final day of class, December 9.

The first two papers should be 3-5 pages in length. Topics can be found on Blackboard by following the "Writing Assignments" link. These papers are to be submitted to the digital drop box in Blackboard no later than 11:59.59 pm on the due date. Grade will be reduced one grade for every day the paper is late. Use MLA Format for citations.

The Guidelines for paper grading can be found here: http://www.public.asu.edu/~dbivona/papers.html.

A note on getting started: Effective note-taking on the novels is very important, because you will need to use your notes to find the evidence to support the claims you make in your papers. An effective literary thesis should assert something about the meaning of the work that is not obvious to everyone who has read it. Moreover, an effective literary thesis takes a stand on an issue of significant controversy over the meaning of the novel. The papers topics, which can be found on Blackboard in the "Writing Assignments" area, will provide you with question prompts. These are based on significant critical issues that the novels have engendered.

The final paper, a critical research paper, should be 10-12 pages in length. You should use at least three secondary sources. Again, topics will be found on the course Blackboard in the "Writing Assignments" area.

Weekly contributions to online class discussion: Everyone is required to pose at least 6 questions to the group online over the course of the 16-week term. In addition, every student is required to respond at least once per week to other students' or my questions. You will be graded both on the frequency of your contributions and on the quality of them. The best strategy is to post at least 2 or 3 thoughtful responses and/or questions per week. Please be sure to make them thoughtful, paragraph-long responses, not quick, two-word responses, and be sure to observe the conventions of civil online discourse (no flaming or personal remarks about other students in the class). Questions may deal with the previous week's reading or with the upcoming week's reading. You may ask questions or make responses that relate current material to material introduced earlier in the course, but please do not pose questions about a novel that the rest of the class will not have read for two more weeks. Questions and responses should be posted no later than midnight MST on Sunday of each week to be counted for that week.

Topics raised in the the online discussions will be discussed in class as well.

Please note that all work done for this course must be your original work. If you make use of the insights of other writers, you must cite them in your papers using MLA citation format. Punishments for plagiarism can be very severe and may include a permanent grade of "failure with academic dishonesty" or suspension from the University. If you have any questions about what constitutes plagiarism, please ask me.

Author Title Edition
Maria Edgworth

Castle Rackrent*

Bibliobazaar
Mary Shelley Frankenstein* Random House
Charles Dickens Our Mutual Friend*** Random House
Wilkie Collins The Woman in White** Simon & Schuster
George Eliot Adam Bede** Penguin
Robert Louis Stevenson Master of Ballantrae* Dover
Joseph Conrad The Secret Agent* Penguin

These books are currently available at the ASU Bookstore.

*The reading time for these novels is relatively brief.

**The reading and discussion of these two books will be divided over two weeks.

***The reading and discussion of this book will be divided over three weeks.

Week Topic Reading/Assignments
Aug. 26

Introduction to the course
Topic: The Novel in the 18th and 19th Century

 
Sep. 2 Historical Fiction and Empire Castle Rackrent
Sep. 9 Romanticism and Fiction

Frankenstein

Sep. 16 When the Noble Savage Speaks Frankenstein
Sep. 18*    
Sep. 23 Sensation Literature: Sensation Plots The Woman in White
Sep. 30 Purity and Pollution The Woman in White
Oct. 7 Victorian Realism: Sensation as Tragedy Adam Bede
Oct. 14 Victorian Realism and Melodramatic Plotting Adam Bede
Oct. 21 The Dickensian Novel Our Mutual Friend
Oct. 28 Bones and Bodies in the Viscous Ooze Our Mutual Friend
Nov. 4 Multiple Identities; Multiple Plots Our Mutual Friend
Nov. 6*    
Nov. 11
No Class: Veterans' Day Holiday
Nov. 18 Victorian Historical Fiction and Legitimacy Master of Ballantrae
Nov. 25 The Novel and Terrorism The Secret Agent
Dec. 2 The Comedy of International Intrigue The Secret Agent
Dec. 9** TBA TBA
* Due dates of first two critical papers.
**Due date of final critical research paper.
  • Literature Online (database containing primary texts in British and American literature)
  • Literature Resource Center (provides access to a variety of primary and secondary texts, principally in British and American literature)
  • Oxford Dictionary of National Biography (biographies of British literary and historical figures)
  • Johns Hopkins Guide to Literary Theory and Criticism (self-explanatory)
  • JSTOR (large database of secondary sources in a variety of disciplines, some reaching back to the nineteenth century)
  • Project Muse (large database of recent [1999-2008] secondary sources in a variety of disciplines)
  • Periodicals Archive Online (large database of secondary sources, many from the nineteenth century)
  • Nineteenth Century Masterfile (digital index: identifies locations of primary and secondary material; it is not a database of primary source material)
  • Academic Search Premier (large database of principally secondary source material)
  • MLA Bibliography (bibliographic index of secondary sources in modern language and literature)

N. B. All the above sources can be searched online through the ASU Library website. You must go through this site in order to be validated to use these sources.

***

The sites below can be searched directly through the internet: