This
course will consider Yeats, wearing all of his various masks: poet,playwright,
folklorist, storyteller, essayist, book-reviewer, journalistic gadfly,
theater manager, mystic, Free State Senator, Anglo-Irish gentleman. The
chief cultural context will be the Celtic Revival (aka, the Irish Literary
Revival) during the period 1890-1914. In addition to reading Yeats’s works,
we will read works by associates of his in the Abbey Theater company (principally
John M. Synge and Lady Augusta Gregory) and by other, sometimes competing,
Revivalist writers (Douglas Hyde, George Russell, John Eglinton, Stephen
Gwynne and George Moore). We will also read excerpts from the works of
nineteenth century historians, Celticists and culturalnationalists
(like Standish O’Grady, Matthew Arnold, George Sigerson and Charles Gavan
Duffy) who influenced Yeats’s Revivalist thinking. Finally, we will read
some of the leading figures in Irish studies today on Yeats and the Revival.
J.
M. Synge, Collected Plays and Poems and The Aran Islands
Lady
Gregory, Selected
Writings
James
Joyce, Dubliners
John
O'Beirne Ranelagh, A Short History of Ireland
Coure
packet
All
books are available at Varsity Book Exchange, 714 S. College Ave.(480)
967-3253
Course
Requirements
Seminar
Paper.
Students will write a critical or theoretical research paper (approx. 20
pp, exclusive of notes) on a relevant topic. All students must submit a
preliminary thesis report (or précis)(3-5
pp.) that substantially outlines the seminar paper no later than week
8, March 6. All papers must include an annotated bibliography of at
least 10 secondary sources and must follow the guidelines set forth in
the MLA Manual of Style (5th ed.; Hayden Ref.). Seminar papers are
due week 15, April 24. At that time, students must also submit
an abstract of the paper (no more than 8pp.) to be used in the presentation.
The paper represents 70% of the course grade, the presentation another
10%. Critical Responses. All students will write four one
page critical responses to selections on the Reserve list. I will make
announcements as to specific texts in advance. These are worth 5% each
for a total of 20% of the course grade.
Attendance.
Attendance is mandatory. Anything beyond one absence can lead to grade
reductions of up to one full letter grade. Excessive absence (e.g., 20%
of class time) can lead to a failing grade. Excused absences will be considered
only on a case-by-case basis. Habitual tardiness will produce the same
effects on your grade as unexcused absence.
Course Itinerary
Jan. 16Introduction
Jan.
23Arnold,
Yeats and the Celtic Revival
Ranelagh,
A
Short History of Ireland
O’Grady, from The History of Ireland, vol. II (CP)
Arnold,
from The Study of Celtic Literature(CP)
Yeats, “The Celtic Element in Literature” (HR)
______________
Recommended: Fleming, “‘A man who does not exist” (ch. 1) (HR)
Kiberd, Inventing Ireland (HR)
Jan.
30Irish
Cultural Nationalism and the Problem of Revivalism
Ranelagh,
A Short History of Ireland
Yeats, “Nationality and Literature” (HR)
Duffy, “The Revival of Irish Literature”(CP)
Hyde, “The Necessity for De-Anglicizing Ireland”(CP)
Sigerson, “Irish Literature”(CP)
______________
Recommended: Curtis, Apes and Angels
Gibbons, “Race Against Time” in Transformations (HR)
Dean, Celtic Revivals (HR)
Howes, Yeats's Nations (HR)
Feb.
6Yeats,
Fairy-Faith and the “Celtic Twilight” Mood of Revivalism
Yeats, The Celtic Twilight (in Mytholgoies); poetry through Wind on the Reeds. Review of Hyde’s Beside the Fire and “Irish Fairies, Ghosts, Witches, etc.” (HR). Introduction to Fairy and Folk Tales of Ireland (HR).
Fleming, “‘A man who does not exist” (ch. 2) (HR)
______________
Recommended: Yeats, folklore essays in Uncollected Prose, Vol. 2, pp. 54-70, 74-87, 94-108, 167-183, 219-236, 267-282
Evans-Wentz,
Fairy-Faith in Celtic Countries (HR)
Hirsch,
“The Imaginary Irish Peasant”
Feb.
13Revivalism
and the Problem of Cultural Translation
Lady
Gregory, sections on “Folklore and Translations from the Irish” and “Irish
Saga and Romance” (55-285)
McDiarmid
and Waters, Introduction to Selected Writings (xi-xliv)
Feb.
20Yeats’s
Folkloric Fictions and the Bardic Ideal
Yeats, Stories of Red Hanrahan, The Secret Rose, “Rosa Alchemica,” “The Tables of the Law,” “The Adoration of the Magi” (in Mytholgoies). Texts on reserve: review of Sophie Bryant’s Celtic Ireland (Uncoll. Prose, vol.1)
O’Grady, from The History of Ireland, vol. II (CP)
Bergin, from Irish Bardic Poetry(CP)
Feb.
27Revivalism
and the Irish Literary Theater Movement
Yeats,
On
Baile’s Strand, At the Hawks Well, The Countess Cathleen,
Land
of the Heart’s Desire (CP)
Eglinton,
et al. Literary Ideals in Ireland (CP)
______________
Recommended: Frazier, Behind the Scenes (HR)
Saddlemyer, ed., Theatre Business (HR)
Mar
6Representing
the Irish Peasantry
Lady
Gregory, plays from Selected Writings
______________
Recommended: Knapp,
“Irish Primitivism and Imperial Discourse: Lady Gregory’s Peasantry” (HR)
Mar.
13Spring
Break
Mar.
20Revivalist
Ethnography in the West of Ireland
Synge,
The
Aran Islands
______________
Recommended: Haddon and Brown, “The Ethnography of the Aran Islands”
Robinson, “Place/Person/Book: Synge’s The Aran Islands” (HR)
Saddlemyer,
“Art, Nature and ‘The Prepared Personality’” (HR)
Mar.
27Cultural
Translation and Cultural Performance
Synge,
Tinker’s
Wedding, Shadow of the Glen and Playboy of the Western
World
Asad,“The
Concept of Cultural Translation” (HR)
______________
Recommended: Daniel
Corkery, Synge and Anglo-Irish Literature
Gibbons, “Synge, Country and Wester,” in Transformations (HR)
Kilroy, James, ed. The “Playboy” Riots (HR)
Strand, “The Playboy, Critics”
Tifft, “The Parricidal Phantasm” (HR)
Apr.
3Revising
the Revival
Yeats,
In
the Seven Woods to Wild Swans at Coole; “John M. Synge and the
Ireland of His Time” (CP); Per Amica Silentia Lunae (in Mythologies)
Apr.10Critiquing
Revivalism: Joyce’s Revival
Joyce,
Dubliners
Gwynne,
from To-day and To-morrow in Ireland (CP)
Moore,
from Hail and Farewell (CP)
______________
Recommended: Levenson, “Living History in ‘The Dead’” (inJoyce, Dubliners)
Miller, “‘O, she’s a nice lady!’” (inJoyce, Dubliners)
Nolan,
James Joyce and Nationalism
(HR)
Williams, “No Cheer for the ‘Gratefully Oppressed’”
Apr.17After
the Revival: Yeats and Modernism
Yeats, poetry Michael Robartes and the Dancer and The Tower;“Philosophy of Shelley’s Poetry,” “Poetry and Tradition” (in Essays and Introductions) (HR)
______________
Recommended:
Cullingford, Gender and History in Yeats’s Love Poetry.
Apr24“Hard-riding
country gentlemen”: Yeats’s New Revival
Yeats,
The
Winding Stair to Last Poems; On the Boiler (HR)
______________
Recommended: Said,
“Yeats and Decolonization” (HR)
May
1Class presentations
Eng.
591 Yeats and the Celtic Revival
Spring
2001
Asad, Talal. “The Concept of Cultural Translation in British Social Anthropology.” In Writing Culture: The Poetics and Politics of Ethnography. Eds. James Clifford and George E. Marcus. Berkeley: University of California Press, 1986. 141-64.
Corkery, Daniel. Synge and Anglo-Irish Literature: A Study. 1931. Rpt. New York: Russell and Russell, 1965.
Cullingford, Elizabeth. Gender and History in Yeats’s Love Poetry. Cambridge University Press, 1993.
Curtis, L. P. Apes and Angels : The Irishman in Victorian Caricature. Washington, D.C. : Smithsonian Institution Press, 1996.
Deane, Seamus. Celtic Revivals: Essays in Modern Irish Literature 1880-1980. Winston-Salem: Wake Forest University Press, 1987.
Evans-Wentz, W. Y. The Fairy-Faith in Celtic Countries. 1911. New Hyde Park, NY: University Books, 1966.
Fleming, Deborah. “‘A man who does not exist’: The Irish Peasant in the Work of W. B. Yeats and J. M. Synge. Ann Arbor: The University of Michigan Press, 1995.
Foster, R. F.W. B. Yeats: A Life. Vol. I: The Apprentice Mage 1865-1914. Oxford: Oxford University Press, 1997.
Frazier, Adrian. Behind the Scenes: Yeats, Horniman, and the Struggle for the Abbey Theatre. Berkeley: University of California Press, 1990.
Gibbons, Luke. Transformations in Irish Culture. Notre Dame: University of Notre Dame Press; Cork: Cork University Press, 1996.
Haddon, A. C. and C. R. Browne. “The Ethnography of the Aran Islands, County Galway.” Proceedings of the Royal Irish Academy, Third Series. Vol. 2 (1891-93): 768-830. I have a copy.
Hirsch, Edward. “The Imaginary Irish Peasant.” PMLA 106 (1991): 1116-33.
Howes, Marjorie. Yeats's Nations: Gender, Class, and Irishness. Cambridge, Engl.; New York: Cambridge University Press, 1997.
Kiberd, Declan. Inventing Ireland. Cambridge, MA: Harvard University Press, 1996.
Kilroy, James, ed. The “Playboy” Riots. Dublin: The Dolmen Press, 1971.
Knapp, James. “Irish Primitivism and Imperial Discourse: Lady Gregory’s Peasantry.” In Macropolitics of Nineteenth-century Literature: Nationalism, Exoticism, Imperialism. Eds. Jonathan Arac and Harriet Ritvo (Philadelphia: University of Pennsylvania Press, 1991. 286-301.
Nolan, Emer. James Joyce and Nationalism. London and New York: Routledge, 1995.
Robinson, Tim. “Place/Person/Book: Synge’s The Aran Islands.” In J. M. Synge, The Aran Islands. Ed. Tim Robinson. London: Penguin, 1992. vii-l. I have a copy.
Saddlemyer, Ann. “Art, Nature and ‘The Prepared Personality’: A Reading of The Aran Islands and Related Writings.” In A Centenary Tribute to John Millington Synge 1871-1909: Sunshine and The Moon’s Delight. Ed. S. B. Bushrui. New York: Barnes and Noble, 1972. 107-20.
-----, ed. Theatre Business. University Park and London: Pennsylvania State University Press, 1982.
Said, Edward. “Yeats and Decolonization.” In Nationalism, Colonialism and Literature. Minneapolis: University of Minnesota Press, 1990.
Strand, Ginger. “The Playboy, Critics, and the Enduring Problem of the Audience.” In Assessing the Achievement of J. M. Synge. Ed. Alexander G. Gonzalez. Westport, CT: Greenwood, 1996. 10-23.
Tifft, Stephen. “The Parricidal Phantasm: Irish Nationalism and the Playboy Riots.” In Nationalisms and Sexualities. Eds. Andrew Parker, Mary Russo, Doris Sommer, and Patricia Yaege. New York: Routledge, 1992. 313-32.
Williams, Trevor. “No Cheer for the ‘Gratefully Oppressed’ in Joyce’s Dubliners.” Style 25.3 (Fall 1991): 416-38.
Yeats,
W. B. “The Celtic Element in
Literature.” In Essays and Introductions. New
York: Collier-Macmillan, 1968. 173-88.
-----. The Collected Plays of W. B. Yeats. New Edition. New York: Macmillan, 1953.
-----.
“John M. Synge and the Ireland of His Time.” In Essays and Introductions. New
York: Collier-Macmillan, 1968.311-42.
-----. “Nationality and Literature.” In Uncollected Prose by W. B. Yeats. Vol. 1 (1886-96). John P. Frayne, ed. New York: Columbia University Press, 1970. 273-84
-----. On
the Boiler (1939).
In The Collected Works of W. B. Yeats. Vol. 5. Ed. Willam
H. O’Donnell. New York: Scribners, 1994. 220-51.
-----. “Philosophy of Shelley’s Poetry” (65-95), “Poetry and Tradition” (246-60) in Essays and Introductions. New York: Collier-Macmillan, 1968.
-----. Review of Hyde’s Beside the Fire and “Irish Fairies, Ghosts, Witches, etc.” In Uncoll. Prose, vol.1; 174?
-----. Senate Speeches. Ed. Donald R. Pearce. Bloomington: Indiana University Press, 1960.
-----,
ed. Introduction. Fairy and Folk Tales of Ireland, New York: Macmillan,
1986.
1. On the Study of Celtic Literature, by Matthew Arnold, (c) 1903 by Macmillan, pages 80-111
2. The History of Ireland, vol. I, by Standish O'Grady, (c) 1878 by E. Ponsonby, pages i-xxi
3. The History of Ireland, vol. II, by Standish O'Grady, (c) 1880 by E. Ponsonby, pages 1-34
4. The Revival of Irish Literature: Addresses by Sir Charles Gavan Duffy, by Dr. George Sigerson and Dr. Douglas Hyde, (c) 1894 by Fisher Unwin, pages 9-59, 61-114, 115-161,
5. Irish Bardic Poetry, by Osborn Bergin, (c) 1970by Dublin Institute for Advanced Studies, pages 3-22
6. Literary Ideals in Ireland, by John Eglinton, (c) 1899 by T. F. Unwin, pages 9-90
7. The Collected Plays of W. B. Yeats, (c) 1953 by Macmillan, pages 1-47, 135-145, 162-182
8. To-day and To-morrow in Ireland: Essays on Irish Subjects, by Stephen Gwynn, (c) 1903 by Hodges, Figgis and Co., pages 1-37
9. Hail and Farewell, by George Moore, (c) 1925 by D. Appleton and Co., pages 282-321
Arnold,
Matthew. “On the Study of Celtic Literature.” From On the Study of Celtic
Literature. In The Works of Matthew Arnold. Vol. 5. London:
Macmillan, 1903. vii-xxi, 80-111.
Bergin, Osborn, Irish Bardic Poetry, David Greene and Fergus Kelly (eds.), 1912, Rpt. Dublin: Dublin Institute for Advanced Studies, 1970. 3-22
Duffy, Sir Charles Gavan. “The Revival of Irish Literature.” In The Revival of Irish Literature: Addresses by Sir Charles Gavan Duffy, K.C.M.G., Dr. George Sigerson, and Dr. Douglas Hyde. London: Fisher Unwin, 1894.9-59.
Eglinton,John,
et al. Literary Ideals in Ireland. London: T. F. Unwin, 1899.9-90.
Includes essays by Eglinton, Yeats, AE, and others.
Gwynn,
Stephen. To-day and To-morrow in Ireland: Essays on Irish Subjects.
Dubling: Hodges, Figgis and Co., 1903. 1-37
Hyde, Douglas. “The Necessity for De-Anglicizing Ireland.” In The Revival of Irish Literature: Addresses by Sir Charles Gavan Duffy, K.C.M.G., Dr. George Sigerson, and Dr. Douglas Hyde. London: T. Fisher Unwin, 1894.115-61.
Moore, George. From Hail and Farewell. Vol. II. 1912, 1914. Rpt. New York: D. Appleton and Co., 1925. 282-321
O’Grady, Standish. The History of Ireland. 2 Vols. London: Sampson Low, Searle, Marston and Rivington; Dublin: E. Ponsonby, 1878, 1880. From Vol. I iii-xx; from Vol. II 1-34.
Sigerson, George. “Irish Literature: Its Origin, Environment, and Influence.” In The Revival of Irish Literature: Addresses by Sir Charles Gavan Duffy, K.C.M.G., Dr. George Sigerson, and Dr. Douglas Hyde. London: T. Fisher Unwin, 1894. 61-114.
Yeats,W.
B. “The Celtic Element in Literature.” In Essays and Introductions. New
York: Collier-Macmillan, 1968. 173-88.
-----.
“John M. Synge and the Ireland of His Time.” In Essays and Introductions. New
York: Collier-Macmillan, 1968. 311-42.
-----.
“Nationality and Literature.” In Uncollected Prose by W. B. Yeats.
Vol. 1 (1886-96). John P. Frayne, ed. New York: Columbia University Press,
1970. 273-84
-----.
On Baile’s Strand, At the Hawks Well, The Countess Cathleen,
Land of the Heart’s Desire. In The Collected Plays
of W. B. Yeats, New York: Macmillan, 1953.