What I've Been Missing (1998) for bass, MIDI percussion, and computer controlled live electronics. Written for Amy Knoles and Robert Black (Basso Bongo). Sponsored by the Institute for Studies in the Arts at Arizona State University.
- Duration: approximately 10 minutes.
- Special Requirements: MalletKat. Macintosh computer controlling Korg Wavestation via MAX programming. Standard MIDI interface. Amplification of bass preferred.
- Publisher: MS
- Recording: DAT
- Score Images
- Sound Files
Light Arcing Into Darkness (1997) for flute, MIDI percussion, dancer, and computer controlled live electronics. Written as part of the Interact project sponsored by the Institute for Studies in the Arts at Arizona State University. Dancer's movements are monitored by the motion sensing system of the Institute's Intelligent Stage.
- Duration: approximately 12 minutes.
- Special Requirements: Dancer motion tracking system, IVL Pitchrider to track flute, MalletKat.
- Publisher: MS
- Recording: ISA archive videotape and DAT
- Score Images
- Sound Files
Viper (1996) for flute, MIDI percussion, dancer, and computer controlled live electronics. Written as part of the Interact project sponsored by the Institute for Studies in the Arts at Arizona State University. Dancer's movements are monitored by the motion sensing system of the Institute's Intelligent Stage.
- Duration: approximately 8 minutes.
- Special Requirements: Dancer motion tracking system, IVL Pitchrider to track flute, TrapKat.
- Publisher: MS
- Recording: ISA archive videotape
- Score Images
- Sound Files
Points In The Sky (1993) for clarinet, percussion, and computer controlled live electronics. Commissioned for Robert Spring and J.B. Smith.
Passage (1991) for piano, percussion, and tape. Commissioned for Caio Pagano and J.B. Smith.
Duration: approximately 11.5 minutes.
Special Requirements: Amplification of piano and keyboard percussion.
Publisher: Available from composer
Recording: EAM-9801 Music From SEAMUS Volume 7
Score Images
Sound Files:
Program Notes