The Human Event

Fall 2007


  
Dr. Jacquie Scott 

Jacquie.Scott@asu.edu


Last updated
August 22, 2008

William Blake, Illustration to The Book of Job

(480) 965-6780
Irish A-208

Office Hours
Tuesday & Thursdays 10;30-12:00

and by appt.


HON 171 Daily Schedule

*** This Daily Schedule Is Subject to Change; Any Changes Will Be Announced in Class ***
Week 1
W Aug 22 Introduction to course. 
F Aug 24 Smedley, from Race in North America 53-62 (handout).  Táin Bó Cuailgne, “Before the Táin” (1-25).   Seminar Participation Guidelines.  Syllabus quiz.

Eternal Questions and Seminar Participation acceptance due to blackboard (use the Discussion Board tool) by 5:00 p.mYour message should (1) indicate that you have read and accept the Seminar Participation Guidelines, and (2) include your list of two "eternal questions." 


Week 2
W Aug 29





Backgrounds on Ancient Epics. Táin Bó Cuailgne, “Before the Táin” (25-50) and The Táin 50-114. 
Focus Questions: (1) When the Tain begins, what are the two sides fighting over?  (2) What motivates Cuchulainn, the hero of the Tain?  What is he questing for?  (3) Is Cuchulainn perhaps not the true hero of the Tain?  Does anyone else strike you as a more heroic representative of ancient Irish culture?   
F Aug 31 Táin Bó Cuailgne (114-168).
Focus Questions: (1) This regards Fergus and divided loyalties. What's the source of patriotism?  Do you feel more loyalty to people who share your ideas, your religion, your culture, your ethnic background, your neighborhood, or your nationality?  (2) Politics: Do we want leaders who are pragmatic and effective, or idealists who remain true to ethical priniciples no matter the result or lack thereof?  Another way of posing this question is this: what do you want your national leaders to privilege, the ends or the means?


Week 3
W Sep 05 Táin Bó Cuailgne (168-205; 243-253).  Reading Response due.  For your reading pleasure (optional!):  Lady Gregory's translation of The Death of Cuchulainn.
F Sep 07
“India’s Heroic Age,” Intro to The Mahabharata & The Mahabharata I (CR 1-21) The background info on this handout may help you with your reading.  
Focus Questions: (1) Read the  background and introductory material carefully; we'll be reviewing key ideas to explore the importance of this epic to Indian culture.  (2) We'll be discussing this one for the next few classes: How do this epic's attitudes toward war, death, justice, honor, loyalty, and possessions compare to the cultural values reflected in The Táin?  Note significant similarities and differences.  




Week 4
W Sep 12 Mahabharata II (CR 21-27).  Bhagavad Gita (5-83)

Foc
us questions:
  1. How is Draupadi represented in this epic?  What is implied by the miraculous regrowth of her clothing after the dice game? 
  2. As we see in much ancient literature, the Mahabharata tells a tale of a family that just can't get along.  What's the cause of this family's strife?  Are they fighting over "stuff" or something else?
  3. In the Bhagavad-Gita, what arguments does Krishna use to persuade Arjuna of his duty to battle his cousins in the great war?
  4. How does self-knowledge elevate individuals, according to Krishna? See especially Teaching Four: Knowledge.
  5. As Krishna instructs Arjuna on different aspects of life, religion, and faith, he presents several ideas on the essential nature of Divinity.   What are they?
F Sep 14 Bhagavad Gita II (85-146)Intro paragraph due. 
Focus question : The modern Indian leader Mahatma Gandhi argued that nonviolence is the only logical culmination of Krishna's doctrine of "desireless action."  Do you agree?  Do you think the Gita reconciles its "be hostile to no creature, Arjuna" (109) advice with Krishna's injunction for Arjuna to fight in a war that will kill his kin?  How?
   
Su Sep 16
Barrett Movie Night at 6:00 p.m.: Sophocles' Oedipus the King
   
Week 5
T Sep 18

Email complete draft of your paper to your reviewers and submit to Blackboard by 5:00 p.m.   The handouts "How to Write a Human Event Paper" and "Questions to Address as You Review/Review Guidelines" are available on our class blackboard under "Documents"

W Sep 19 In-class writing workshop (bring reviewed drafts and one or two copies of your complete essay)
F Sep21
Class content to be announced on Wed. Sept 19th


Week 6
M Sep 24 Paper #1 due to my office by 3:00 p.m.; submission to blackboard due by 5:00 p.m.
W Sep 26

Aristophanes, Lysistrata

Focus questions:

  • Identify the gender stereotypes circulated by various characters throughout the play. 
  • During the strike, both the men and women suffer, but the men suffer more.  Is this fact consistent with the gender stereotypes you identified? 
  • Which metaphor does Lysistrata use when telling the Commissioner how she will use diplomacy to resolve the war?  Does the metaphor refute the idea that Athenian women were unskilled and inexperienced in public concerns such as politics?
  • Do you note significant thematic or cultural value similarities between Lysistrata and other texts we've read this semester?
F Sep 28
Aristophanes, The Clouds


Week 7
W Oct 03 Plato, Apology (CR 30-52). Focus Questions. 
F Oct 05 Ssu-Ma Ch'ien (CR 53-63)
     Focus questions:
What is the nature of heroic self-assertion in The Prince of Wei and the story of Yü-jang (individualism, self-sacrifice for common good, etc.)?

On p. 60, Hou Ying says, "On the day when you are to reach Chin Pi's army, I will face north and cut my throat as my farewell to you, my prince."  Explain the significance of this quotation.

On p. 54, Ssu -Ma Ch'ien says, "a man does something for the sake of someone who understands him." At the end of the story of Nieh Cheng he is willing to die for someone who understands him. Why is this idea so important to this culture?

    Comparative cultural values:
    • How do perceptions of death as illustrated by Ssu-ma Ch'ien's writings compare with the perceptions of death that Socrates held? From The Táin?
    • When Ssu-Ma Ch'ien describes Li Ling's battle, what values of ancient Chineseculture does he reveal? How do these compare with the values we discussed with The Táin? What other values are revealed throughout Ssu-Ma Ch'ien's letter?
    • In Ssu Ma Chi'en's "Letter in Reply to Jen An," he says, "I have learned that cultivating one's person is the treasurehouse of wisdom, that  a love of offering things is the beginning of feeling for others, that taking and giving is the counterpart of a sense of right, that feeling shame determines courage, and that making one's name known is the ultimate end of action." How do Ssu Ma Chi'en views on wisdom, courage, good, and honor differ (if they do at all) from those of Socrates, Plato, and The Táin?  Do you personally agree/disagree with any of these statements? 




Week 8
W Oct 10 Confucius, Analects: Introduction and Chapters 1-11Handout on Ancient China
Reading Response due: Focus questions and Response prompts
F Oct 12 Confucius, Analects: Chapters 12-20.

Week 9
W Oct 17
The Rise of Islam and Islamic Literature (CR 64-67) & selections from the Qur'an (web)

Focus Questions:
  1. What type of relationship does the literary style of the Qur'an imply between humans and God?
  2. What is God's main purpose in this guidance? (i.e. in the Qur'an, what is God revealing to his followers?)
  3. What do the allusions to various well-known narratives contribute to the Qur'an? 
  4. In The Qur'an, we get recommendations for human conduct—which of them are compatible with models for conduct we've read in other texts (e.g., Confucius, Sophocles, Plato, etc.)?
   
F Oct 19

In-class writing workshop on writing mechanics & intro paragraphs (One copy of your Paper 2 intro paragraphs and an outline of your topic sentences is due)

Su Oct 21 Barrett Movie Night at 6:00 p.m.: The Return of Martin Guerre

"How to Write a Human Event Paper"

"Questions to Address as You Review"

   
Week 10
 
M Oct 22 Email complete draft of your paper to your reviewers and submit to Blackboard by 5:00 p.m.
W Oct 24 In-class writing workshop (bring reviewed drafts with your comments, and one copy of your own complete essay)
F Oct. 26
Dante, Inferno, Cantos I-V (67-120) Backgrounds on Dante & The Divine Comedy.
Focus Question


Illustrations of Paolo & Francesca from Dante's Inferno Canto V



Week 11
M Oct 29 Paper #2 due to my office by 3:00; submission to Blackboard due by 5:00 p.m.
W Oct 31 Dante, Inferno VI-X; XIII-XIV; XVIII-XIX

Focus questions :
(1) Pay particular attention to pilgrim's changing attitudes toward the sinners he encounters, and to Virgil's reactions to Dante's attitudes.  We know that the pilgrim was astray, and that he has something to learn if he's going to get back on track.  What must he learn?  Does he learn it?  (2) For which types of corruption are members of the clergy punished in the Inferno?  Which level(s) house them?  Note their contrapassos.
F Nov 02 Dante, Inferno. XX; XXV-XXXIV. 
After going through the text, we'll take some time to consider where modern-day sinners (think: "ripped from today's headlines!") would be most likely to call home in Dante's Inferno , but I'll also ask you to try to come up with appropriate contrapassos--the punishments appropriate to the crime--for those we discuss.  Thinking of these is NOT as easy as it may appear: first, according to Dante's vision the punishments for sins beyond Limbo must be corporeal, so we're talking physical rather than just psychological torment.  Secondly, in some way the punishment must reflect the crime itself--very very complicated.

Focus questions:
  1. Watch closely how the pilgrim reacts to the sinners he meets (Ugolino, Bocca, Satan).  Has he learned what he set out to learn? 
  2. Also, who does Dante put with Satan, and what does this placement imply?


Week 12
W Nov 07
Las Casas, The Destruction of the Indies
F Nov 09
Las Casas, The Destruction of the Indies


Week 13
W Nov 14
Human Event Millionaire
F Nov 16

Machiavelli, The Prince (CR 84-93).  Focus questions.

  Three questions for Human Event Millionaire (from various texts, and of varying degrees of difficulty) are due either in class on Friday, or emailed by 5pm on Monday on. 22. Have fun!
   
Su Nov 18
Barrett Movie Night at 6:00 p.m.: Black Robe
   
Week 14
W Nov 21

Montaigne, "Of Cannibals" (CR 94-100).  

Reading Response due: respond to focus question #1 or #4:  Focus questions. 

F Nov 23 Thanksgiving Holiday


Week 15
W Nov 28
Shakespeare, Merchant of Venice, Acts I-III.  Reading response due. 
F Nov 30
Shakespeare, Merchant of Venice, Acts IV-V.  Character panel.


Week 16
W Dec 05
Reading Day
Th Dec 06
Final Essay Papers are due in my office by 3:00 p.m.; submission to blackboard by 5:00 p.m.


"Questions to Address as You Review"
Use this handout if you found it helpful when we reviewed Paper #1.

Sample Reading Responses:

Sample 1
An Oedipus Reading Response I've used before to use as an example of a thesis with a strong "roadmap"
Sample 2
Sample Reading Responses from a past HON 394: Race, Writing, and Difference class