John Ericson
Perhaps the most interesting horn of the two is this Hawkes horn from the late 19th century. This horn takes crooks just like an orchestral natural horn and has crooks for E-flat, F, G, A-flat, and A with a short, 1/2 step coupler and short and long tuning slides. This is the type of valved horn used widely in England (and France) up until around W.W.II. It is in great shape. The bell and bore are very much like that found on the typical natural horn. The bell has a garland, and the tone is much more like that of the natural horn than that of a modern horn. While it is fun to test, I can't play this instrument for more than five or ten minutes at a time as a valved horn. The left hand position is quite uncomfortable; it has to do with the angle of the action of the pistons. On the plus side it plays well as a natural horn and the crooks work on both of my other natural horns.
Like the Hawkes, this horn has its good and bad points. It has a very nice high range and it would be quite useful for a demonstration of French literature of the period. On the other hand, again, I can't play this horn for more than five or ten minutes before it just kills my left hand. I am often asked why piston valves are not used on valved horns today. Besides the already noted awkward action (really, awkward direction of action), for a double horn this design also requires extra long pistons (compared to those of say, a trumpet) which has got to also increase the cost. Piston valve horns are only rarely produced today. |