ENG 101,
Writing Project 4:
The
writing project
The
purpose of this project is to tell us about something significant in your
life, something that helped mold you into who you are today, something
that impacted you in a positive way-that is, something important to who
you are now, today. As authors Ramage and Bean note in your textbook, "the
spine of most autobiographical writing is a key moment or event, or a series
of key moments or events, that shape or reveal the author's emerging character
or growth in understanding" (144). So consider a time when, in one or more
of the four worlds in which humans exist (academic, professional, personal,
and civic), you
· · Learned
something about yourself
· · Learned
something about yourself that you wish you had not learned
· · Had
to make a major decision
· · Made
a major decision that went against what others thought you ought to do
· · Faced
a moment of crisis or critical choice
· · Found
yourself in a situation where one of your major beliefs was challenged
and/or modified
· · Faced
an unexpected problem that--once you solved it--gave you a new insight
about you or the world and people around you
· · Did
something in school that surprised you, and the people around you
· · Acted
differently than you and your family (or teacher, or employer) expected
you to
Choose
an event or series of events that will be engaging to your readers and
that will, at the same time, show them something about you and who you
are as a person. Tell your story dramatically and vividly, giving your
readers a clear indication of its autobiographical significance. Remember
that a significant event or events doesn't mean something that was traumatic
for you--it's something that influenced how you act today, who you are
today--something that happened that had a positive effect on your life
and on the person you are right now. This
does not necessarily mean the event had to appear to be positive, but that
it ended by having a positive
effect on you.
It's
not enough to just say, "well, this happened and it made a difference to
who I am." Rather, it's critical that you show the significance by indicating
· · What
you learned from the event or series of events
· · What
you're doing now because of the way you were influenced
· · How
you act now, or think now, or deal with others now because of the way(s)
you've changed
Put
another way, we all have stories that we could relate with good detail,
stories that are interesting to tell and to hear . . . but which really
didn't change who we are or how we act now, today. That kind of a story
will not fulfill the requirements of this writing project.
For
example, you might tell in good detail about a relationship you were in,
and how everything went along nicely, but one day something happened and
one thing led to another until finally there was this big blowup . . .
but unless you also show what you've learned from this experience, how
you deal with new relationships in different, perhaps better ways, then
what happened wasn't really significant, was it? In other words, unless
you learned something from the experience and that learning affected the
ways you act or think now, then perhaps the event or series of events really
wasn't significant.
Here's
another example: perhaps your older brother was a real academic "star"
back in high school and then again as he went through college--excellent
grades, Honor Society, the Dean's List, many scholarship offers, and so
on. At the same time, you worked hard in school but had a hard time "getting
it," and your grades always were pretty mediocre: you struggled through
grammar and middle school, and barely passed some of your high school classes.
You pretty much figured that college was out of the picture for you.
Then
one day, you overheard your brother on the phone saying that, no, he couldn't
go to the early show because he had a paper due the next day, and later,
when your brother walked by your room, where you sat trying (pretty unsuccessfully)
to read the text for your sophomore sociology class, you stopped him. "What's
the deal with skipping the show?" you asked.
"No
big deal," he told you. "I just got myself into the habit of working before
I started to play--to get my homework done before I went out. Hey," he
asked, "how is school for you this year?"
You
were honest and told him what a struggle school was for you, how hard you
always had to work. "School's always been hard for me," you told him, "and
that's why I don't always go to class, don't always do the work."
"Well,"
your brother said, "one thing that always helped me was writing. I don't
mean those papers teachers ask you to write, but personal writing, in a
journal or a diary, where I could say whatever the heck I wanted to say.
I could bitch and cry and complain and no one would read it but me." He
smiled. "And then, once I'd gotten down how mad I was about this assignment
or that school project, I found out I could do it, and everything was easier
for me. The rest was just showing up and doing the work--and making sure
it was done on time, of course. So I forced myself to develop good habits."
You
thought about what your brother had said and now that you considered it
a little, he was right: he always did get his work done before he went
out; he even had some kind of calendar on his bedroom wall showing when
he would study. While you weren't sure whether or not to believe your brother,
you thought, why not give it a try? So you started writing in a daily diary,
putting down your frustrations; you found that "yelling on paper" helped
you calm down a bit and that it did make doing the work easier, more satisfying.
You made a time schedule showing when you'd study and when you could "play."
And you discovered that if you had your work done before you went out,
you had a much better time. And going to class was easier and more fun,
too, now that your work would be completed . . . so now, in college, how
might you indicate that you learned from this "event"?
Well, you might be able to write about how you always do your homework before heading out to the movies . . . how you schedule each day, in advance . . . how you always hit the library every Saturday morning, for any research you need to finish . . . how you plan to spend the hour between your afternoon classes doing the reading your teachers asked you to complete . . . in other words, you've developed habits that help you succeed in school. That's what you learned from the "event," and those are the kinds of details that show significance (and consider the opposite: what you learned from your brother would not be significant to you if you'd ignored his suggestions, right?).
This is merely one mild example, to get you started. I am sure that you have all had mysterious, strange, intriguing events and relationships that have been in many ways significant. Often, one just needs to sit quietly and contemplate your life to find wonderful material for autobiographical writing.
Elements of autobiographical writing to consider:
Plot:
the series of events that “show” the story.
Character:
The people who act upon each other to move the plot along.
Place: Where
(the physical location) the events take place and how the p lace shapes
not only character, but plot.
Dialogue:
Dialogue is a required element of the assignment, and a tricky one. How
do people talk to each other? Begin
listening to conversations, so you can make your dialogue believable. Also,
remember that each speech has it’s own paragraph.
For example:
“Yeah,” Traci said grinning, her scarlet lipstick perfect,“ I’m going.”
“ Watch out for him. He’s a letch." Lisa peered into the dark after Traci, twisting her scarf in her hand. "Don’t stay later than 12:30.”
“No
fear. He’s not the dark and brooding type. He’s always really polite.” At the curb, Traci turned, lifted her hand and waved at her friend.
Goals: Requirements:
to demonstrate knowledge of figurative language and metaphor
to use fictional devices such as dialogue and scene to portray character and plot.
to practice a more open (as opposed to closed) form of communication
to thoughtfully portray a significant moment in the shaping of your character/psyche.
to use fictional conventions as a communications strategy.
to identify themes/claims in fiction.
Three to four pages.
Create dialogue
Develop scenes
Develop
language strategies from WP1 and 2.
Your
packet will include all of your invention, prewriting and peer edits.