Buried Civilizations of the Americas - Keith Kintigh
8-9. A Moche Priest's Tomb at Sipan: Context and Meaning in the
Archaeological Record
- Prior to the Early Intermediate Period (200BC-AD600; EIP) the North Coast had competing
sub-valley and valley-wide political systems, pyramids and ceremonial centers
- Moche State. During later Early Intermediate Period
- First part of the EIP, Galinazo Group an urban sites with 30,000 rooms in the Virú
Valley
- Ca. AD 100 Moche is first coastal state; represents continuity with past and expansion
of the state to encompass multiple valleys
- State controlled coastal plain from Huarmey to Piura Valleys, ca. 373 miles, with the
capital at Cerro Blanco in the Moche Valley 3.5mi inland
- AD 500-600 state shows signs of stress (state contracts) capital moves from Cerro
Blanco in the Moche Valley far north to Pampa Grande in the Lambayeque River
Valley.
- El Niño flooding ca. AD 600 destroyed Cerro Blanco; repaired then covered by sand
dunes. Moche Valley people build Galindo farther inland
- Collapse of Moche state ca AD 600-700
- Architecture
- mostly adobe; administrative and ceremonial centers w/ pyramids; some fortifications &
roads
- Cerro Blanco in Moche River Valley
- 2 enormous pyramids, Huaca del Sol plastered and painted red, Huaca de la
Luna, multicolored brightly painted interior rooms (not their names)
- Huaca del Sol - Largest adobe pyramid in SA
- 130-160 tall; now 525x1116 feet at base only ½ to original size; Spanish
looted it
- Huaca is constructed 8 phases 143,000,000 bricks w/ 100 maker's marks.
Labor tax - community required add a section
- A few rooms on top of the mound
- Huaca de la Luna, 50,000,000 bricks, also marked. Large rooms on top,
frescoes
- Subsistence
- farming, hunting, fishing, gathering, trade; large variety of crops; deer & seal hunting
elite,
- dogs, parrots, monkeys as pets
- complex canal systems
- used reed boats: for fishing, trade and collecting guano from south
- Social Organization
- Lots of important ceremonial centers suggests a theocratic structure; one
principality/valley?
- Women appear to have low status; seen weaving
- Classes
- Tremendous differentiation gradations w/i elite marked by elaborate costumes.
- For men tunic ends above knee, tied with decorated belt, skirt, small cap wound
with cloth to form turban and tied with a plain scarf, variety of headdresses, large
mantle
- body painting and tattoing, notably knee spot
- jewelry all parts of body
- Warfare
- battles of people in similar costumes
- what do we make of bird people, etc. fighting? ritual component?
- associated with territorial conquest and/or acquisition of sacrificial victims: nude,
rope around necks, hands tied behind backs
- slavery
- Historical Accounts
- A few refer to Moche times
- Chimu (Chimor, kingdom) LIP descriptions seem to apply to Moche, when
viewed with respect to things illustrated on pots, e.g. accounts of witches and
treatment
- Account in 1550 of early period, which leaders chosen from sons or brothers &
trained for role
- Moche Art
- Christopher Donnan, Fowler Museum of Culture History, UCLA, 125,000 slides of
Moche artifacts
- Materials
- specialized craftspeople for each material
- Ceramics
- stirrup spout jar is characteristic seriated on spout shape I-V
- modeled, some mold-made, painted
- 3-d modeled, human heads, animals, plants, scenes; some low relief
designs
- Metal, gold, copper, alloy. smelted, soldered, hammered, or cast, e.g. mace
heads
- Pyroengraved gourds
- Textile
- Wood
- Subjects
- Portraits of individuals
- Activities (sex, smelting), animals, houses, warfare
- Themes ceremonial & highly meaningful.
- Canons of Representation
- crosscut media
- in drawings, faces always in profile, headdresses turned to face forward
- small scale, 5-20 cm high,
- relative size natural but important people larger & particular body parts are
enlarged, e.g. head
- thin objects turned toward viewer
- distance, upper part of the scene and smaller
- pose, body tilt, placement of legs: speed, running
- dignity depicted by clothing, bowed heads
- lots of humans with animal characteristics
- Reconstruction from the Archaeological Record
- Shows how plants and animals were used
- Implements, e.g. reed (tule) boats
- Dress, headdress
- Small scale architecture open, closed buildings
- Instruments
- chewing coca; gourd with lime, taken out with "needle" and wiped on rim
- shamanism; lots of items used in modern shamanism (healing) also appear
prominently in Moche artistic Record; eg seal stones (found in stomach and
depicted on pots); owls
- Themes
- Moche Art-Symbolic System, follows rules
- Presentation Theme; 4 central figures (3M, 1F)
- ruler larger, w/rays from head, being presented with a goblet (copper, of
blood?)
- bird-person offers blood, holding disk
- high status woman, long shirt, headdress w/ tassels
- person with feline headdress
- spotted dog
- prisoner being sacrificed
- presentation theme components seen alone
- Christmas Scene
- Santa Claus - What could we infer.
- Deconstruct dog fireman and cat in tree
- What about Cowboy Art?
- Does Moche art shows everyday life or is it ritually related? Moche art is not secular.
- Mortuary Studies
- What would we expect for different kinds of societies, Band, Tribe, Chiefdom, State
- Moche only 350 burials professionally excavated
- Low status people in refuse heaps, no grave goods but other people with lots of
artifacts
- Brain surgery, trephination (cutting open the skull), perhaps treatment of blows
by clubs.
- Priest buried in Virú Valley, excavated by Strong & Evans 1947
- Coffin, sacrificed boy (at right side) sacrificed robust man and 2 women
and 2 llamas; face covered by mask; elaborate collar; 28 Moche IV pots;
gourd bottles; feather fans; bird headdress; metal objects
- had 3 staffs: 1 capped by an owl, showing old man w/ protruding canines,
belt terminating in snake head, accompanied by boy at right side!
- Subsequently Sipan 1987 (Presentation Theme)
- Central figure (warrior priest)
- Second figure, presenting goblet
- 1991 San Jose de Moro in Jequetepeque Valley, royal woman with head tassels
of silver/copper alloy & sacrifice ceremony goblets
- Discussion
- Have we gotten at meaning in a satisfactory way?
- What has allowed us to do that?