WORKS FOR ELECTRONICS AND ELECTRONICS+VIDEO

Sanctuary (2008) multi-channel sound environment/installation based on bird calls catalogued and studied by Messian. The Weight of Light (2006) Work for dancer(s), video, and electronic sound. Collaboration with choreographer Mary Fitzgerald and video artist Natalia Jaeger Massieu.
WORKS FOR INSTRUMENTS AND ELECTRONICS (CD OR AUDIO FILE PLAYBACK)

Low End (omaggio: cm) (2007, rev. 2008) for tuba and electronic sounds (CD). Written for Sam Pilafian. Commissioned by the University of Illinois Experimental Music Studios in commemoration of its 50th anniversary celebration.
Passage (1991) for piano, percussion, and tape. Commissioned for Caio Pagano and J.B. Smith.
WORKS FOR INSTRUMENTS AND ELECTRONICS (INTERACTIVE COMPUTER SYSTEM)

Flux (2010) for two clarinets and electronic sounds. Written for Robert Spring and Jana Starling. (Also playable by two soprano saxophones or by clarinet and soprano saxophone.)
Spiked (omaggio:berio:joyce) (2005) for solo percussion and electronic sounds. Written for Doug Nottingham.
Shadow Boxing (2001) for clarinet and electronic sounds. Written for Robert Spring.
What I've Been Missing (1998) for bass, MIDI percussion, and computer controlled live electronics. Written for Amy Knoles and Robert Black (Basso Bongo). Sponsored by the Institute for Studies in the Arts at Arizona State University.
Light Arcing Into Darkness (1997) for flute, MIDI percussion, dancer, and computer controlled live electronics. Written as part of the Interact project sponsored by the Institute for Studies in the Arts at Arizona State University. Dancer's movements are monitored by the motion sensing system of the Institute's Intelligent Stage.
Viper (1996) for flute, MIDI percussion, dancer, and computer controlled live electronics. Written as part of the Interact project sponsored by the Institute for Studies in the Arts at Arizona State University. Dancer's movements are monitored by the motion sensing system of the Institute's Intelligent Stage.
Points In The Sky (1993) for clarinet, percussion, and computer controlled live electronics. Commissioned for Robert Spring and J.B. Smith.
OLDER INSTRUMENTAL WORKS

Metropolis (1979) for solo saxophone and chamber ensemble. Commissioned for Joseph Wytko.