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A Typical Cultural Tour in Myanmar
By Wren Chan
On one of the days spent in Myanmar there was a Semester at
Sea trip to learn about meditation from a meditation center and take
part in the distribution of food to the monks nearby. It was
necessary to see this aspect of Myanmar due to the fact that Buddhism
was a major influence in Myanmar, where most males become a monk at
some early point in their lives as a rite of passage. However the
experience from the trip would leave us confused and uncomfortable
about the things we saw.
Like typical tourists we were allowed to take pictures and observe
others meditate in a separate building before we engaged in the
meditation practice ourselves. Although one would expect this
particular part of the trip to be purely about meditation it seems that
the tour guide and the person in charge were promoting some aspects of
Buddhism to us by showing us around the living quarters of a person who
apparently was a teacher of meditation before dying and in the
believers’ point of view achieving nirvana. The tour then
continued with a visit to his mausoleum, which was richly decorated
compared to the primitive infrastructures and buildings that we
encountered around the complex. This contrast seems to represent
Myanmar in which the people are so devout that they give whatever they
have to the construction and maintenance of extravagant religious
buildings. This represented the old belief that holds that the
bigger the monument one builds the more religious one is, hence
explaining the construction of the various Buddhist pagodas and
buildings that lure tourists to Myanmar. Despite the attention
drawn on the authoritarian government by the international community
over the democracy and human rights issues as discussed by Maura
Stephens in The Heart of Burma, it remains a failure of the
international community as the monuments still serve as tourist
magnets. Having leaned about this opposition to the government of
Myanmar made me wonder how much of the cost of the trip would go to the
government, since most of the trips cost a significant amount for a
poor country.
After the tour of the mausoleum we proceeded to the monastery where
according to our guide, there was food prepared already funded with the
money donated by a portion of the trip cost. We would distribute
the food to around 1,000 monks and nuns. Most of the monks and
nuns were young boys and girls confirming in flesh what we heard about
people sending their kids, mostly the boysm to a monastery before they
continue further with their secular education. The pace of the
distribution was relatively fast since we worked like an assembly line,
several people distributing rice, several some side dishes and several
more some fruits. This was aided by the monks and nuns lining up
in two lines and walking past us. It seems to me that the action
of donating the food became shallow since we were never able to
interact with the monks during this time. In essence we became
like a utensil, a vehicle for bringing food to the monk’s mouth.
The monks and nuns most likely having received their food in this way
before gave a faint smile, bowed and moved on. The monks were
lined up by seniority and received their food before the nuns.
Our tour guide explained that it is believed in their Buddhist faith
that women aren’t as potentially capable of attaining nirvana as men
hence the distinction.
In what may have taken 30 minutes we had distributed food
to all the monks and nuns. As if they eat any way different from
the way we do, we were invited to watch them eat, which further made
this segment of the tour appear as if we are tourists observing
monuments on a tour or kids observing animals in a zoo. Upon
reasoning you would understand that the lack of interaction may be due
to the fear of the government observation and the object-oriented
aspect of our visit may be motivated by the government’s need to have
tourists see things and spend money, and lower the risk of interaction
between Burmese and foreigners. Though the experience was
generally bad due to the limitations of the tour and the lack of
interaction, the responses however minimal such as the faint smiles and
the bows, felt genuine.
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