TABLE
OF CONTENTS
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Horizontal and Vertical Tensions
in Myanmar
By Sarah Grimaldi
I stayed in Yangon the entire time
in Myanmar.
This city that once was the capital of the country has historical,
economic,
and political significance. The importance of Yangon
is shown through the pagodas and colonial buildings that are scattered
amongst
the city. The transnational neighborhoods dominate the city, and it was
striking to see a large colonial-era building amongst the small houses
and
buildings. There were juxtapositions between the transnational and
vernacular
architecture everywhere in Yangon.
One day we
were driving through the city and came across a neighborhood with
several local
vegetable markets and hut like homes. A few minutes later we were
driving past
an estate that was being constructed for the elite. These neighborhoods
reminded me of the billboards in China for the transnational
gated
communities. A community such as this seemed out of place considering
its
surroundings of homes without paint, cement, or backyards.
As
mentioned in the reading of Donald Seekins, there were examples of the
vertical
versus horizontal power throughout the city. I observed several black
market
stands for money exchanges that our tour guide pointed out to us. As
the state
is trying to reassert vertical power, the attempts of the urban
population to
exercise its horizontal power were evident. The Shwe Dagon Pagoda is a
key
example of monumental Buddhism to acquire legitimacy and deter
resurfacing of
democratic movement and horizontal power. The vernacular,
transnational,
horizontal, and vertical juxtapositions in Yangon
were absolutely mind boggling. I am hopeful to see Myanmar move forward
as a
country but the horizontal and vertical tensions must be solved before
the
change can take place.
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