MURALS AND CULTURE
By Charity A. Hicks
Hispanic culture is displayed in murals as readily
as the art found on low-riders. Brenda Bright from Rice
University discusses the cultural value of low-riders in
such a manner that I intend to also apply to murals. The
term “bad” is used to describe low-riders; this means
“dangerous, respectable, and in opposition to cultural
norms.” Murals signify much of these same values to the
Hispanic people, and this art form is expressive in terms of
tradition and in manner of portraying cultural inheritance.
Inheritance includes anything and everything relevant to the
passage of generational norms such as: machismo, femininity,
familial loyalty, and many other non-tangible forms of
Hispanic culture. As minorities and not always familiar or
fluent with the English language, the Hispanic population
has acquired a voice louder than one’s ears alone hear.
Their voice is heard as eyes gaze upon the works of art
displayed at random on various sides of neighborhood
buildings.
Murals, much like low-riders, incorporate individual and
societal views through imagination, thus also fusing the
imagination with the social life. Hispanic art work, rather
a Muriel or a low-rider, serves the community in the
following ways. First, art is a method for creating a sense
of identity for the individual and for the community.
Secondly, personal, societal, and cultural experiences in
life are shared with others through art displays. Last but
not least, art conveys a variety of shared desires among
community members. Art, whether through murals or
low-riders, connects members of the Hispanic community
through their voice and shared views. |